#edit: when “by only one person” i mean “by someone who has been hurt by him and will end up wanting revenge”

[bookished]

( a collection of drunken confessions dialogue prompts. adjust phrasing as necessary.) feel free to make edits to better suit your muse, but please don’t edit or add on to the original post <3 if you like, please consider supporting me through tips

(mix of silly, emotional, messy, sweet, and chaotic)

"you ever think maybe we were meant to meet... like, cosmically?"

"i shouldn't say this... but i've been in love with you for forever."

"shhh. don’t tell anyone i said this but... you’re my favorite person."

"you’re so pretty. it’s actually unfair. i’m mad at you now."

"i miss you. even when you're here, i miss you."

"if you asked me right now, i’d run away with you."

"i told myself i wouldn’t cry and now look at me—i'm soggy."

"can i tell you a secret? no one knows this. not even me."

"i don't want to go home. it’s not warm there like you are."

"you smell like safety. that’s weird, right?"

"you always leave the party too early. stay longer this time. stay with me."

"i don't like them. i never did. i only said yes to make you jealous."

"you were my first love. not that you needed to know that."

"you always knew me better than anyone. it’s scary sometimes."

"every time you smile at someone else i feel sick. it’s pathetic, i know."

"i think you're the only person who's ever actually seen me."

"you promised me you’d stay. why did you lie?"

"remember when we used to dream together? god, we were so young."

"don’t laugh but... i wrote poems about you. they were bad."

"you’re everything to me. but it’s fine. you don’t have to feel the same."

"your hands are so warm. i could live here, holding you."

"you were my favorite chapter. i keep rereading you."

"i’m not drunk. okay i am. but the feelings? those are real."

"i wish i was braver when it counted."

"it’s you. it’s always been you."

"do you think we missed our chance?"

"they don’t deserve you. but i was too scared to try to be someone who did."

"stop looking at me like that. i’ll fall in love all over again."

"you said you didn’t want anything serious... but i did. i wanted you."

"i’m scared. and it’s not the booze—it’s the idea of losing you."

"i tell everyone i’m over you but then you look at me and i fall apart."

"you were the only one who stayed when everything else fell apart."

"if i tell you i love you, will you leave? please don’t."

"the world feels quieter when you're near. like everything makes sense."

"you taste like trouble and i’d still kiss you again."

"god, i hate you. i hate how much i still love you."

"every version of me has wanted every version of you."

"you were my home. i didn’t realize until i lost the key."

"don’t leave yet. just one more moment like this. please."

"i think i messed up. i picked everyone else before you."

"if i asked you to kiss me, would you?"

"remember when you held my hand like you meant it?"

"you’re my what-if. and it kills me."

"can we just stay like this? pretend it’s still us?"

"i forgive you. even though it still hurts."

"i lied. when i said i didn’t care. i always did."

"you look so good right now. it's annoying. stop it."

"you make the world feel a little less heavy."

"i saved every text. is that weird?"

"i love you. even if i forget this in the morning, i mean it right now."

[oceantornadoo]

ch13 something borrowed something blue (mafia!price x simon's sister!reader)

tw: allusions to torture. reader has some ptsd. SMUT.

also i did not edit this srry

masterlist | next

“Again.”

Johnny sighs to his right, but Simon ignores it, too concerned with the man in the chair in front of him. “Say it again.” The man in the chair (Richard, 34, nephew of a Price uncle, twice-removed or some bullshit) spits out a glob of blood on the floor before clearing his throat. “The night the weapons were stolen I was at home with my wife. We watched a new episode of one of those trashy American shows, The Bachelor, that dropped that night. I was off-shift. Came in at 6am because of the Mrs. Price emergency.” Simon’s eyebrow twitches under his mask. Three days after getting his sister back and this is what sniffs out the rat? An American show Johnny loves to pirate? He wants to laugh at the absurdity of it all.

Johnny catches his eye and he can’t fault the man for the grin on his face. When Simon turns back to Richard, red in the face, he’s pretty sure the man’s figured it out. “The Bachelor drops Mondays.”

Richard sputters, twitching. “We were catchin’ up from the week before.” Simon shakes his head, glancing at the papers on the table to his left. “You had off every other night that week and only got to it by Sunday? Tellin’ me the wife keeps up with the drop schedule but waited six days?” He walks closer to Richard, gloved hands gripping the man’s jaw tightly. He presses his fingers into the bruise near his mouth, pressing hard until he breaks.

“I’m sorry! I’m sorry! I’m in debt, man, 50,000 Euros. No one knows so when I lost to the guy at that shithole of a bar and he offered me a job, I couldn’t say no! He said it was just a few documents, wouldn’t hurt anyone…” Stupid, stupid, stupid. Before Simon can grab a tool from the wall, Johnny clears his throat. “Let me, sir. Gaz called. You’re needed at base.” That could only mean one thing. Simon nods, swallowing thickly as he leaves the room to the sound of screams. 

It’s a half hour drive back to the Castle, but it feels like eons. Simon changes his gloves and mask with the limo partition up, even swapping his sweatshirt out for your benefit. The smell of blood fades when the fabric is removed, bundled into a trash bag he leaves in the car. When Simon double checks his phone, his hands are shaking. Another oddity of the week, too miniscule to dwell on.

It’s been three days since he last saw you, cuddled up in Price’s arms like an injured stray. For all Simon has tried to protect you from, the insults of childhood and your shared shitty father, it worries him to think you got hurt despite his greatest efforts. There’s no doubt that you’re a strong woman, but he’s not sure what Shepherd did to you and no matter what, there’s only so much a person can take. The guilt that’s been following him since the marriage is heavy like a chain, weighing down his every motion. Did he marry you off too early? Was Price the wrong pick? Thoughts swirl like a snowstorm in his head, only stopping when the car pulls up to the Castle.

It’s the perfect home he would have picked for you, given the chance. Sophisticated wealth, nothing flashy or too pretentious. Gaz mentioned that you redecorated, and he can see parts of you in the artwork, in the new chairs meant for casual conversation instead of just functionality. You’ve turned the base into a home and the guilt creeps up again thinking of how you might have never returned to it.

“Mr. Riley.” The door guards nod at Simon as he walks through. He feels out of place in his hoodie, used to his lax uniform in Manchester. Price styles himself more as a businessman than Simon ever has. He hides the scars with gloves and a mask but he doesn’t delude himself into thinking of himself as a professional. He’s more like the head of a wolf pack, barking and snarling at anyone who gets too close. Nothing like Price and he’s glad for it. You deserve someone who can give you a semblance of a normal life, pretending like he’s going to work at an office instead of meeting illicit weapons dealers on the edge of town.

Gaz is waiting for him in the foyer, immaculate in a deep blue button-up. It’s the first time he’s seen the man shaved, a testament to the bonds that you forged with Price men that were tested in the past week. “Ghost.” Gaz nods, leading him through the Castle. “How is she?” Gaz walks slower than usual, seeming to need more time before bringing Simon upstairs. “She’s…recovering. Been talking with a trauma therapist the Captain trusts.” Simon nods. He can’t imagine what they put you through, why John ordered him to find a new set of clothes when they found you. Everything he learns is a strike against Phil, whenever Simon finds him. John promised him retribution.

“How is she physically? They hurt her?” Gaz stops in front of the stairs, scratching the back of his head awkwardly. “She’s skittish. Can’t approach ‘er from behind, got t’ give ‘er plenty of warnin’. I only saw her last night when she came down for some food, ‘s the first time she’s been out of the room. The Captain’s given me a temporary title while he’s taking care of ‘er.” It’s not temporary. Simon can sense it, leadership senses setting off alarms. Loyalty, initiative, intelligence - Gaz has it all. A fine replacement if he’s ever seen one. Too bad Johnny hates him. 

Simon nods, ready to see his sister. Before he can step up the stairs, Gaz clears his throat. “If you can, sir, convince her to drink some water? Last night, all she could do was look at the glass.” Christ. What did they do to you?

When Simon climbs up the stairs, you’re lounging in the sitting room, swathed in clothes too big for you. The couch you’re on is out of place, tugged from its original spot so the back is now against the wall. Tactical. He ensures his steps are loud so you sit up with a smile instead of a shudder. “Si!” You grin and his heart stops at the fact you still have the ability to. They didn’t take everything. “Hey, love. Can I hug ya?” You nod, setting your book down with your arms reaching up. “I missed you.” You murmur as he hugs you. The angle is awkward as he towers over you but he doesn’t particularly care, sitting down next to you while keeping you in his arms.

“How ya doin’, kid?” He asks when you release him. Simon slips off his medical mask into his pocket. On closer look, you’re wearing John’s clothes, the name of some obscure London footie team emboldened on the chest. He can hear the man’s voice come from behind the closed bedroom door, likely on a phone call. “I’m okay. John got me a therapist and she’s really helping. She specializes in kidnapping victims and immediate solutions and…yeah. Isn’t that a bit weird, saying I’ve been kidnapped?” On second look, you don’t look your best. There’s circles on your eyes and faded bruises on your jaw, like someone grabbed it and forced it open. Instead of answering, Simon brushes the soft skin of your neck until he can find your pulse. You don’t jolt like he expected you to, instead curling into the feeling of his familiar touch. 

“I knew somethin’ was wrong ‘fore Gaz called. Had this dream of you screamin’ my name, askin’ for my help from somewhere far. When I woke, I just knew. Ready to tear the world apart f’ you, kiddo. You’re still my little sister to protect.” A tear escapes your eye. He brushes it away, then squeezes your cheek like a grandmother would before pulling back. “I’m still lookin’ f’r others who were involved. They’ll get what’s coming for ‘em.” You nod, catching his hand before he pulls back completely. “Thank you for that, Si, but also, I just- just need you here, you know? I think your presence here will do a lot more for me than being an avenging angel.” He gets it, he does, but he didn’t get to kill Shepherd. He was John’s but Phil is Simon’s and no matter what, he will be found. “Think there’s a way f’r us to split it?” It. His time. Your wants, his needs. 

You squeeze his hand and nod. “I think so.” You croak out. Simon can sense the need for levity, so he starts telling you about how Johnny almost got himself blown up a few weeks ago when dealing with a Chinese chemical supplier. Simon’s not usually the joker between you two but he channels the infectious energy of his husband, in pursuit of making you laugh. You finally giggle when he mimics the windblown look on Johnny’s face, even putting in the effort to mimic his mohawk with his hands. It’s goofy and reminiscent of your childhood, the ghost of Tommy making a rare appearance in the corner of the room. Your kidnapping has sent Simon off the edge and out of character, desperate to do anything to repair what has been broken.

The bedroom door creaks open and John’s heavy footsteps follow. “Hi, sweetheart.” John approaches the couch head on, kissing your forehead before nodding at Simon. “Simon.” He nods back, not feeling the need to put his mask back on. “John.” “What is this?” Your eyes flick between the two of them, brows furrowed. Simon looks at John, who shrugs. “What’re ya talkin about?” You frown at Simon’s words, crossing your arms in front of your chest. “Since when is there a bromance? What did I miss?” John sighs, dragging a hand down his face. Simon reaches out to ruffle your hairdo, smiling when you screech and bat his hand away. “‘S called mutual respect, sweetheart. Not sure what a bromance is.” You mock John’s sigh, rolling your eyes. “You’ll be wearing friendship bracelets by the end of this year if you keep going on this trajectory.” The men lock eyes with twin glances of horror.

“On that note, you good if I pop in downstairs, sweetheart? Gaz needed help on something.” A look of understanding passes between you two, a look Simon has felt time and time again with his husband. It’s like a punch to the gut in the softest way possible. “All good, I’ll be here with Simon.” John nods, kissing your forehead before taking a few steps back towards the staircase. Before he can leave, Simon clears his throat. “John, you have any condos or safehouses in the area you aren’t usin’?” John’s eyes flicker with a different kind of understanding. “Enough space for two, I gather?” Simon nods, ignoring how you’re kicking his shin. “For a month or two, at least.” You kick him harder and he shoves your foot away in a playful push. “I’ll see what I can do.” John responds, nodding before heading down the stairs. 

“You’re stayin’?” When he turns to look at you, your lip is quivering. He sighs in faux exhaustion before tugging your legs on top of his. “‘Course I’m stayin’. Can’t let my baby sister fight alone.” You shyly wipe your eyes before meeting his own. “What about the business in Manchester?” He shrugs, acting like he didn’t spend hours on the phone with his best men last night. “It’s what I’ve got men for. Plus, you can show me ‘round.” Instead of squealing or jumping him, you give him a small smile. It feels older and mellow, something he hates. “Thanks, Si.” He squeezes your foot. He wants to bring up the water drinking, but you seem a little fragile right now. He’s got time now, something he won’t miscount. “‘S what I’m here for. Now tell me the rest ‘f y’r redecoratin’ plans. That entryway could use some work.” You grin and he’s reminded of the toothy five-year old, playing hide and seek in the Riley house of horrors. A survivor, through and through.

-

Every day passes faster than the last. You find out your therapist, Marie, is actually Dr. Marie Laswell, Kate’s wife. She promises you that despite their marriage, everything you share is confidential and stays between you. It’s hard work, recounting everything that happened in your daily meetings. John is there, kissing your forehead and cuddling you after nightmares, like the perfect gentleman. As the adrenaline drains and you find yourself living again, you crave more than that.

You want to go back to your last fight. You know it could be self-sabotage, but in the confines of the Castle, it’s like nothing can harm you. John only has guards you know working. Terrance stops by once or twice, telling you he got promoted. Simon visits whenever he can. Your reunion with Johnny is heartfelt and strong. Gaz feels like a son now, protective and firm about your security. All of these facts coalesce into a suit of armor, knowing that as long as you don’t leave the building, you are safe.

Marie tells you it’s not the healthiest mindset. You remind her progress is progress. She sighs in a way that reminds you of her wife.

The one-month anniversary of your kidnapping creeps up on you, haunting the corners of your mind. There’s an ache deep in your heart to return to normal, no matter what he said about finding a new one. You want so badly to change without looking over your shoulder. On rainy days, there’s a phantom ache in the side of your arm that Phil sunk a syringe into. He’s still in the wind, a fact that agitates Simon more and more. Small wins happen too. There are days you don’t need John at home, content with phone calls throughout the day and a long dinner at night. You’ve gone on two (2!) walks by yourself, passing through the park across from the Castle as guards trail behind you and at the corners of the park. You’ve progressed to Gatorade and flavored carbonated water but still jump at unknown touches. Except, of course, John’s.

Every night runs like clockwork. You shower, John standing outside the door like a protective hound. Then you slip on a robe and let him in, brushing your teeth and finishing your routine together. He leaves to ‘check something’ and always returns with a new non-water liquid he wants you to try, like a new Gatorade or flavor of tea. In the time he’s gone, you change. You’ve graduated from speed-changing to taking your time, rubbing lotion on your body before slipping on pajamas. When John comes back, you cuddle and talk, and then lights out.

The same damn routine. Every. Night. You feel like a nun.

The anniversary passes without little fanfare. John takes the day off, unusual but part of the new normal. Gaz is left in charge again, a fact he’s getting more used to. When you wake in the morning, something else new happens.

Morning light warms your eyelids. John’s arm is a comfortable weight around your waist, his forearm hair rubbing the patch of your stomach exposed by your raised shirt. Something pulses low in your belly. When he turns to pull you closer into him, your stomach flutters. His face tucked into your neck, the weight of him searing as his body is half-slung over yours. It’s a welcome change from how you usually find yourself on top of him, like he’s pinning you to reality. A body scan reveals wetness between your thighs and a keenness between your lips.

When you cant your hips slightly, chasing that fluttering feeling, his cock twitches in his sweats where it’s against the outside of your thigh. You tilt them higher, fighting against the weight of him, and smile when his cock twitches again. “Go t’sleep.” He groans, rough and sleepy into your ear. Instead of listening, you push your thigh outwards to the heavy weight of him.

“Watch what y’r doin’, pet.” Pet is new. Unlocking a new nickname sends a thrill down your spine. You ignore the connotations behind it. “John…” You whisper, injecting an extra breath of air into your speech. He pulls his head up, hair mussed and eyes blurry. He’s beautiful.

He props himself up on his forearm, giving your own arm freedom to move. You do so, sliding it from his neck to his torso, snaking down to follow his happy trail. “What d’ya think y’r doin’?” You run your fingers through his trimmed body hair, only dipping slightly into the elastic of his boxers. “I want to feel you.” You blink at him with wide eyes. He pulls his core backwards, letting your hand drop on the mattress. “Y’r not ready.” You frown, scooting back into your pillows so you can properly meet his eyes. “I think I get to decide that, John.” He closes his eyes, sighing. “I was readin’ an article and-” You huff, pulling back further until you’re sitting on the opposite side of the bed. 

“This is the problem we have, John. You trust external sources more than me.” If he was a weaker man, he’d look whiplashed. Unfortunately, you got a husband prepared for anything, a man who can argue at the drop of a hat. “I’m jus’ sayin’, sweetheart, maybe we wait. I don’t want t’ hurt ya.” You scoff, pulling your knees to your chest. “Can you trust when I say you won’t hurt me? That I can handle myself and know my limits?” He’s silent for a second too long.

You launch yourself out of the bed, heading for the bathroom. He’s faster than you, weak from weeks of lethargy, beating you to the punch to stand in front of the door instead of tugging you back into him. “Stop.” You place a hand on his chest, intent to push him away, but all he does is cover it with his own. “Can you jus’ wait for a second?” That’s when you take a second look at your husband. How he’s panting like he’s out of breath, even if you know he goes for runs every day. His pupils are blown and feral, a predator in the wild. You stand for a bit, letting your palm track how his breaths go in and out of his chest.

“Deep breaths for me, baby.” How nostalgic it feels, the roles reversed as this time it’s you talking him off a ledge. His breathing calms after a minute, eyes going tame as he squeezes the life out of your hand. When he’s calmed, he speaks. “The last time you ran from me after an argument, you were taken from me.” Your heart breaks a little at the weakness he lets you see. Your hand slides up into his beard, brushing over the rough strands as you look in his eyes. “I wasn’t running, John. I just needed some space.” He shakes his head in disagreement. “Ya don’t know what it felt like, seein’ you step into tha’ car an’ gettin’ a call hours later that you were gone.” You nod, biting your lip.

“You’re right, John. I don’t know. And you don’t know how my brain works. You don’t know how harsh grips trigger me but yours never have.” Understanding brews in his eyes, cloudy like a cup of coffee. He pulls you in closer by the waist, lining you up until your pelvises meet. “I get it, sweetheart. I trust you.” You exhale a breath at his words.

“I didn’t take ya on tha’ trip months ago because I was meetin’ a new supplier an’ I didn’t trust him. You know firsthand now how dangerous my world is. I know you’ve lived this life, but London is more cutthroat than Manchester could ever be. ‘M not sorry f’r smotherin’ ya, because at least y’r safe. ‘S my number one concern in this world.” It’s terrible, how you don’t care that he’s admitted that he smothers you. How all you care about is how he knew what you were referencing, even if it was from months ago.

“How do I know you want me for me?” Another concern of yours from your fight before the kidnapping. He shrugs, giving you a wry smile. “Guess you’ll have to trust me.”

You drag him into the bathroom, jumping onto the counter and pulling him between your legs. You practically maul his face, kissing him with unrestrained want. His admission flipped a switch in you, a longing that’s been asleep for a while. It wakes up when he pulls you closer to his pelvis, your clothed cunt rubbing against the outline of his cock. You’re still wet from earlier, your folds sticking to airy fabric. 

“Didn’t want it like this.” He breathes behind your ear. John sucks a soft patch of skin there, licking at the sweat from your sleep before trailing down your neck. “Wanted t’ eat ya out f’r an hour ‘fore even pullin’ my cock out.” You run a hand down his rigid back muscles, pulling at the fabric until he lets you tug it off. John laves his tongue at your neck, alternating between sucking and nipping at your sensitive skin. His hands grip your hard, thumbs inching closer and closer to your core. You’re wearing shorts without underwear, a perfect combination that he soon discovers. “What else?” You moan, leaning your head back until it hits the mirror behind you. It’s perfect, knowing there’s nothing but a wall behind your back. It calms the worried part of your brain, letting you fully focus on the moment.

“Then I’d let ya suck my cock, get it nice an’ warm in tha’ mouth of yours. Let you rub y’r cunt against me.” You whine at the image, nails digging into his back as he continues making out with your neck. Finally, he tugs your sleep shirt off, trailing downwards to suck at your tits. He squeezes one while sucking the other, pulling hard enough to make it hurt. There’s no part of him you can reach, the angle of it awkward and wrong. The solution is to trail your free hand up your thigh, passing his hands to push the fabric of your shorts aside and thumb at your clit. “Wha’s this, hm?” He murmurs, switching to your other tit. “Wanna be ready f’ you, John.” The wetness seeping from your cunt makes it easy to slip a finger in, stretching yourself in preparation for your husband. He’s letting you set the rhythm in a way he usually doesn’t, and you love him for it, something you don’t think too hard about.

“Let me?” He asks and you nod immediately. He replaces your hand with his own, sliding two thick fingers into your hole. You clench immediately at the intrusion, more out of tension than fear. John stops, glancing up at you from where he’s leaning down. “Need me to stop?” You shake your head, moving your hips forward so his fingers slide in deeper. “It’s just been a while.” John is still stopped, searching your face for something. “I trust you, John. I need you to say it back or this won’t work.” His eyes don’t leave your face, nodding slowly. “I trust you with my life, baby. An’ I trust ya with yours. You gonna let me stretch you out?” Instead of answering, you start to grind slowly, fucking yourself on his fingers. His gaze drops down, watching your cunt squeeze him tight. 

“How’d I get so lucky, hm? Perfect wife, dropped right into my lap.” John makes you work for it, angling his thumb so your clit hits it with every grind. It’s the most work your body has done in months and you love it, love the burn in your muscles as you command them to work. “This is goin’ t’ be a lot shorter than I wanted it t’ be, pet. Can’t focus when y’r mewlin’ f’r my cock like this.” You whine at his words. John pulls his fingers out, a string of slick trailing after them. He rubs them against your chest, pointed nipples scraping against your own wetness. The friction makes you delirious and needy in his arms. “John, I need you.” He hums, that same hand pushing down his sweats to reveal his cock, thick and heavy in his hand. He gives it a pump and you watch him spread your slick around it, mixing with his precum to make it even smoother.

“Last chance, baby.” John lines his cock up with your cunt. He rubs it up and down, catching on your clit every other time. “Shut the fuck up and fuck me, John.” His name on your lips is punctuated with a gasp as he pushes into you. You let out a string of curses at the intrusion. No matter how many times John has given you his fingers, the blunt width of his cock is so much more. It’s been over a year since you’ve fucked someone, and it’s never been like this. It’s never been dark blue eyes filled with trust and care, flicking down every so often to watch his cock go in and out. It’s never been dangling over the precipice of an orgasm so fast, the speed of it hitting you like a lightning strike. He fucks you through it, his hand on the back of your neck, forcing you to look down at where you’re joined. You watch your tits and stomach bounce at his movements and you watch as he hungers for it.

John’s a talker. This you’ve known, but it’s never been like this. 

“Look at you, taking my cock so well. Fuckin’ made f’r it.”

“Y’r cunny’s so tight, baby. This all for me?”“So desperate for it, pet.”

“Such a good girl for daddy. C’mon, say it.”

It makes you clench and mewl and claw at his back. He tries to kiss you but all you can do is let your mouth fall open and pant against him. Your first orgasm left you weak-willed, eager to follow his instructions. You nod your assent to every word, sweat dripping into your eyes. The second orgasm builds slow in your core. It burns with every thrust, every brush of your clit that John’s thumb makes. You lean your head back so it hits the mirror, suddenly realizing that your actions echo each other in the mirror behind John.

Your mouth is open. Sweat makes your skin glisten. You settle your weight on your hands and arch your back, a glimpse of your tits visible in the glass. It means you look almost whorish but it doesn’t matter because it’s for your husband, whose muscled back ripples with every thrust. That’s the image that sends you over the edge, whining John’s name as you fall off the edge. 

“Where, baby?” John meets your eyes with a burning question. You look down at the creamy ring around his cock, the slight of it sending another hazy spark to your core. “Inside.” This time John’s the one cursing, dropping his forehead to your collarbone as he watches himself come inside his wife. Finally, with his soft cock still inside you, John slows to a stuttering stop.

“Oh fuck.” John looks up at your panicked words with a matching expression. “Somethin’ hurt?” Your mouth opens, then closes. “What? No. I just remembered I stopped taking my birth control because of what happened. I haven’t been on it in over a month. And Plan-B’s really mess up my cycle.” John laughs. Your husband laughs, with his forehead on your collarbone and his cock inside you, pushing his cum in further. “This is not funny, John!” He shakes his head before meeting your eyes. “I got a vasectomy.” You blink. “What do you mean, you got a vasectomy?” He drags a hand down his face. Instead of answering, John eases out of the tight hold of your cunt. He fishes for a washcloth somewhere near, running warm water over it before swiping at your inner thighs. “When we had tha’ conversation about Gaz. Didn’t want it to happen after tha’ an’ not be prepared.” You squint in confusion. “I timed it with your period.” You bark out a laugh of disbelief.

“You’re fucking crazy.” He looks up at you with worry etched into his face, like he’s done something wrong. All you do is smile and pull him in, kissing his nose like he’s adorable. “I hate you.” You say, laughing. “You love me.” He murmurs against your skin. You don’t refute it, shutting him up with a kiss.

-

Phil watches and waits.

Her husband keeps leaving her alone. Phil’s camera screens flicker, shots of her through windows and from the park. The brother is closing in but it doesn’t matter, not when he’s so close to completing his mission. He must watch and wait.

-

one. chapter. left.

i barely edited this so if you see any mistakes no you didn't

-

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@gimmeabreak1

[shurisneakers]

unsolved (vii)

Summary: Bucky doesn't even believe in the paranormal. So who the hell thought it was a good idea to stick him in a series about everything haunted for the internet's amusement? With his loose-canon of a teammate who has no concept of subtlety or shits left to give, to make things even worse. (Buzzfeed unsolved AU)

Warnings: swearing, frustrated bucky, obnoxious reader, mentions of hauntings and the paranormal.

A/N: hello. i am late again. i almost gave up but we are here. for better or for worse. i will most likely go back ad edit the second half again ok love u guys mwahmwah

Previous part || Series masterlist

Only after hours, nay, a full day of hunching over his desk, eyes red-rimmed and burning, four crushed cans of energy drinks next to him lending to him the nervous energy of a chihuahua, Bucky realises that there’s no beating it.

He absentmindedly takes another sip of the RedBull, flinching when the taste registers. Either he’d reached his threshold or the medicine flavour had begun morphing into something else entirely. The caffeine didn’t even work on him, so really, he was just placebo-ing himself into having energy. 

Every site he’s visited has had a vastly different interpretation; ones that don't match what he thinks has been happening, or the context past his past provides. Others are simply blatantly wrong based on the additional research he, in his infinite wisdom and totally accurate self-assessment tendencies, has been gathering in the last 3 days. 

The Star. Six of Cups. The Hanged Man.

Bucky knows he could ask someone in real life about this, someone who possibly had more experience than a simple website whose code broke every time he tried to scroll to the bottom. However, that would mean that he had to tell them his dead sister was probably haunting him out of her spite and hatred for the very fibres of his being.

Also, Bucky may be haunted by his dead relatives, but he’s not haunted enough to actually leave his room over it. 

Video consultations were also an option, but he’s convinced that if word got out that Bucky Barnes was half-convinced ghosts were following him around, it would make headlines for a mighty long week. 

Therefore, he resorts to shady, online websites that demand he pay up before giving him the results of the readings they’ve done for him. 

The “lady” that he paid to talk to using Steve’s credit card on mistytarot.com types for a very long time before a message comes through.

The thought bubble disappears for another half an hour, and Bucky thinks hat either she is a complete scam, or it’s run by someone who is about as technologically proficient as Steve was. 

But a message does in fact come through, and it’s enough to have him be covninced that the 20 bucks he blew on Steve’s card was worth it. 

Lady Lilia 

Considering that you think you’re being haunted, The Star could represent the absence of hope. Do you feel like you’re being trapped in darkness? As if you are being abandoned by the universe and with no room for healing?

B. Barneswell i forgot about it until now

Lady Lilia If your sister passed away a long time ago, the reason The Six of Cups may have presented itself is because you may be feeling like you're ensnared in the past, constantly reliving moments that hurt or confuse you, rather than finding peace. 

A frown grows on his face. 

Lady Lilia If you’re haunted by a person who used to be in your life and it is reminding you of past mistakes, The Hanged Man could be because feel like you're stuck in a cycle of stagnation, unable to move forward, as if these spirits are keeping you suspended in a state of emotional paralysis. 

However, if the cards were upright–

Bucky slams the laptop shut, inhaling and exhaling sharply through his nose.

From the corner of his eye, his phone lights up with the fifth missed call in the last ten minutes, but considering that he keeps that thing on silent, he never even noticed.

Shoving aside whatever he may be thinking for the moment, he checks the caller ID, only for feelings of confusion and despair to be immediately replaced with annoyance, or disgust even. 

He calls back anyway, preparing for the worst. 

“Did you drink all my RedBull?” Clint booms the second he picks up.

“No,” Bucky lies smoothly.

“Fucker, I know it was you. Pay me back. With interest.”

“No.”

Clint switches to whining. “You know I need that shit to stay awake at night. Some of us don’t have superhero cocaine in our system.”

“I don’t care, go to sleep at a normal hour.”

“Say, did you drink every last one?” Clint instantly switches to a curious tone for a second. “Because one of them’s not like the others.”

Bucky looks at the cans that littered his bedroom floor. “Why?”

“I can’t tell you what it is over the phone.”  

“Why?” 

“Let’s just say it’s not exactly allowed in the country, but–”

Bucky cuts the call and tosses it onto the bed. 

He runs a hand through his hair, softly exhaling while contemplating whether or not to continue the chat. Steve wouldn’t miss another 20 dollars, he had the wealth of a small prince with all that army back pay bullshit. In fact, Steve should ideally be funding more of Bucky’s endeavours. 

There comes a knock at his door.

Bucky immediately leaps off the bed, sprinting to the door, because he fuckin knows that knock, goddamn it–

He throws open the door before you get the chance to full body slam against it.

“Oh.” You blink, relaxing away from your stance. “Hey. How’d you know–”

“You do this every week,” he breaks in. “You do this multiple times a day.” 

“Don’t you dare say I’m predictable,” you warn, raising a finger. “I’ll start crying right here, then you’ll have to deal with that. You wanna see snot running down my–”

Bucky slams the door shut again, waiting to turn around. 

“Can you take me to the doctor?” Your voice is muffled through the solid wood.

It’s enough to make him hesitate, hand on the doorknob.

“What’s wrong with you?” he inquires.. 

“Nothing, I’m perfect,” you reply instinctively, before course correcting, “Wait, no, I’m sick.”  

He lets his head drop against the door. “Go to the fucking infirmary.”

“The infirmary told me to go to the hospital. Can you just take me?” you bug. “They won’t discharge me unless I have someone with me to drive me back.”

“You have a head injury?” Bucky asks, before following it with, “Actually, that tracks.”

“Rude.” 

“Ask Nat.”

“Nat’s in Lagos.”

“Ask Sam.” 

“Yoga.”

“Clint.”

“Really.”

“Glad to know I’m your first choice,” he mumbles, opening up the door. 

You send him a blistering smile. “You’re my favourite choice.” 

______

“You gotta take this turn,” you instruct, too close to the actual crossing. 

“The nearest hospital’s five minutes away, what the hell are you talking about?“ he points out, eyes on the road. 

“We’re going to the one on King’s Road,” you read off of Google maps. “Take that lef-– well, you missed that. Now you gotta make a u-turn.”

“What’s the problem with Chastain Park?” he demands. “King’s Road is half an hour away.”

“This one’s got all my files,” you insist. “Otherwise I gotta start over and it's so much effort.”

“Aren’t you in a database?”

“Yeah, but not a medical one.”

Bucky lets out something akin to a growl and a groan. “What's the time?”

“Like eight thirty?”

“What’s the time,” he emphasises, because he most definitely had another email due from another lady on the internet who he had sent his cards to a few hours ago. 

“Fine, it’s eight twenty two,” you shoot back.  “Did that make a big difference?”

“Yeah, it did actually,” he fires indignantly, “My life is radically different. You have no way of knowing.”

“Liar. You’re a lying liar, who lies.” You scoff. “And details are for losers.”

“Losers can drive all the way back to drop you off at the infirmary and let them deal with you.”

You relent, flashing him a grin. “This won’t take long.”

“You say this every fuckin’ time,” he groans, before complying and taking a u-turn anyway.

“You’re fucking joking,” he states. 

“No, it’s actually called lying,” you correct casually.  

“Is this an abandoned hospital? What the fuck?” Bucky asks, staring up at the huge decaying building.  

The outside looks run-down, with cracked, weathered brick walls and broken windows. The entrance is blocked off with rusted gates, some sections of which have fallen over. As the car rolls up, the air is thick with a musty, damp smell, mixed with a faint odor of decay.

“Yes,” you say simply, opening the trunk of the car and pulling out all the supplies you had from last time. “Video time. Let’s go.”

“You didn’t have to lie,” Bucky mumbles. “I’d have showed up.”

You give him a deadpan look. “You famously never do.”

That’s fair, but also, that was the old Bucky. The new Bucky circa this week is a bit more… invested. He feels the need to gather some more information, and unfortunately, the only opportunity to do that is here.

So for the time being, he decides he will hang on. For purely selfish reasons. 

“Just tell me next time,” he grunts. 

You observe him for a second like you're about to call him out on something, but instead you simply say, “Okay.”

Bucky grabs his usual stuff– the spirit box, a lapel mic, while you levitate the camera. 

“Hello?”

You both look beyond the camera at the same time to someone stalking up to you.

“Who’s there?” demands a middle aged woman with straw blonde hair, wrinkles decorating sunburnt skin, and a navy blue jacket. 

“Uh–”

“Who are you?” she asks, cautiously stopping a few feet away.  

“We’re here on a video shoot,” you inform. “Just wanted to check the place out.”

“Oh, you’re one of them camera folk,” she says, ponting her flashlight at you. “Those ghost hutner types.”

“That’s us,” you agree, flinching from the bright light. “We're from The Graveyard Shift.”

“Who are you?” Bucky cuts in, because why should only the both of you explain. 

“I’ve been working security here for the last thirty years.” She shines her flashlight at the musty place. “Name’s Brenda.”

“Why does an abandoned hospital need a security guard?” Bucky inquires. 

“Management just underwent a shift. White collars are setting up a mall here, so they bought up the whole place, fired everyone and now they’re gonna build an all year ski world or something in there.” There’s a tick in her jaw as she draws it out. “Whole damn place is cursed. They better hope it only burns down.”

“Okay,” you drag out, giving Bucky a sideways glance. “Anyway, we’re gonna go check out the place. See if we can find some ghosts.”

“Oh, you’ll see ‘em, alright. Everyone who was collateral damage in the buyout is still in there.” Her voice is distant, arm coming to rest on her hip.  “You’ll have to hit up specific rooms. Y’all got a floorplan?”

“No, figured we’d just wing it.” You pause. “Hospital wing it.”

“Shut up,” Bucky replies on instinct. 

“You’re gonna be spending a lot of time in there if y’all dont know where youre’ heading. It’s a maze,” she continues, ignoring your brilliant joke. “I can show you the rooms, but I can’t guarantee that it has ghosts in there.”  

“Uhhh—” you begin. 

“It’ll cut down your time in half.”

“Deal,” Bucky says immediately, sticking out his hand for a shake.

Brenda sticks out her hand too, only to wince immediately, following it up with a curse.

“What’s wrong?” you interject.

“Damn back’s killing me,” she mutters. “You’d think death would stop the pain, but it’s not let up yet. Come on then.”

Both of your eyebrows knit together at her statement, but she leaves no room for a reply as she marches inward, one hand on the small of her spine. 

Bucky elects to use his phone flashlight, as if he keeps that shit charged above 40% at any given point of time. If anything is not going to make it out of the night alive, it was that thing. 

The air inside is stale and heavy, filled with the scent of mildew and old, rusted metal. All three of your footsteps echo in the silence, reverberating through empty halls with each cautious step. The moonlight  in conjunction with the flashlight casts long, unsettling shadows. The faint taste of dust lingers in the back of Bucky’s throat that he cannot get rid of. 

“Y’all gonna sleep in here tonight?” Brenda pipes up, swinging her flashlight around.

You look at Bucky with a grin that’s alarming.

His face immediately pulls into one of “What the fuck”

“No, we aren’t,” you announce instead. “But do people do that often?”

“You’d be surprised,” she comments. “You’re not the first folks we’ve had here with those fancy shmancy gadgets.”

“That explains how you have a tour all planned.” 

“We get a bunch of you every couple of months.”

“Who is ‘we’?” Bucky cuts in.

She pays him no need. “Y’all run a podcast?”

Bucky looks personally affronted. “No, we do not.”

“We run a YouTube channel,” you offer instead. “It’s for ghosts and stuff.”

“I see,” she considers, tone thoughtful. “So, this will go up online?” 

“Unfortunately,” Bucky murmurs.

“Have you caught ghosts before?”

“Not even one–”

“Several,” you chirp. “And we have a witch cat. Her name’s Alpine.”

Bucky narrows his eyes at you. “Since when is her name Alpine?”

“I gave her a bunch of options and she told me she liked that best.”

“The cat can’t talk.”

“To you. She and I chat shit everyday,” you dish back. “She hates that stupid fern in your room, she says it smells.”

That fucking fern was not even his idea. But Sam got it for him when he moved in, so there was a zero percent chance it would be leaving any time soon. 

“Tell her to fuck off.”

“Y’all got a large following?” Brenda interrupts.

“Building towards it.” You look at her before looking at Bucky. “Once we hit a sizable amount and Bucky becomes an official internet boyfriend, we’ll stop the series.”

He sends you a withering look. “We’ll be doing this till I die.”

“Nonsense, everyone loves you,” you dismiss. “You’re a pretty boy and extremely irritable. They think you’re hilarious.”

 His nose twitches, and he feels the need to clear his throat. 

“Your camera records ghosts?” Brenda asks again. 

“We’ve got a bunch of devices. We’ll catch it,” you sound confident. 

“Great, because here’s the first stop,” she says, pressing her shoulder onto a double door.

The door groans as she pushes, its hinges protesting with a long, rusty screech, the cold metal heavy under her hand. A stale gust of air hits your face, carrying the faint smell of rot as the door finally gives way.

She steps back with a small huff, stretching her back with a small, “Shit.”

The pale blue walls had turned greenish, wallpaper peeling away. Counters were covered with a thin layer of dust. Old tools laid unused on the surgical table, once stainless steel but now rusted. 

“A lotta deaths happened in this operating theatre,” she imparts after a bout of stretching. “They thought this place was cursed for a while.” 

The sterile, tiled walls are cracked and chipped, and the old surgical lights hang dim, their bulbs long burned out. The air still lingers with antiseptic that’s long since turned sour.

Bucky feels a little too acquainted with this setting. 

He doesn’t even realise his silence is palpable until you nudge his side, drawing his attention sharply back to you. 

“You doin’ okay?” you whisper.  

“Fine,” he says, tearing his eyes away from the tools and towards you.

It only twists his stomach a little. It makes him think of how different his reactions used to be even a few years go. 

“Old, dingy hospitals may not have been the best idea,” you admit to him, using the flashlight to shine a light in the corner. 

It occurs to him a second later once he forces himself to compartmentalise. 

“You okay?” he asks, voice low. 

“Yeah,” you reply, slowly looking around. “Just looks like my nursery.”

A small crease forms between his eyebrows. 

“Not gonna lie, mine was way prettier. Lot more mould on the walls,” you continue, tone light. “You know, timeless decor.”

His nose lets out a small exhale in the form of a laugh. “Leviathan not into blood stain wallpaper?”

“Couldn’t afford it. Fuckin’ place kept referring to itself as Hydra’s sister org but had none of the budget,” you say, swiping a finger across the dust. “You’d think that at least some of the people that left would give alumni donations, but no.”

Bucky snickers at jokes literally no one else would laugh at. It feels good for once, not to feel the need to censor himself to make others less uncomfortable. 

You take a step forward, camera following behind you. 

You shine the flashlight around the room, noting all the surgical trays piled together. 

But something flashes on the ceiling. 

You swing your flashlight toward it immediately, only for the table beside you a few inches away to start rolling, making a loud whining noise as it did, snapping your attention towards it.  

By the time you finally bring the light back up towards the ceiling, it’s gone. 

“What the–” you mumble. 

“What?” Bucky asks, looking up from where he was scrolling through his phone. 

“Could’a sworn I saw–” you frown at the empty space now, only an old defunct looking camera staring back at you. 

“Red eyes?” Brenda inquires, looking at you. “Yeah, that happens.”

Bucky glances up at you, and then the wall. “Probably just the lens glare.”

You scrunch up your face at her. “How’d you know it was red eyes?” 

“That’d be the spirit of ol’ Doctor Damon, chief of neuro,” she says. “You’ll find him here or his cabin, but that’s a few floors away. He never liked climbing the stairs.” 

“Right,” Bucky acknowledges monotonously. 

“When he worked here, he spent so long in surgery that his eyes were always bloodshot. One day he just dropped dead from exhaustion,” Brenda explains. “So his spirit walks around here, red eyes, wheeling surgery tables waiting for the next patient.”

“What’s he doing on the ceiling?” Bucky questions, going back to his phone. “He did his surgeries suspended midair?” 

“Are you trying to gatekeep the ceiling?” you scoff. “Have you never seen Spiderman hanging upside down for fun?” 

Bucky finally lifts his sight from the phone. “The doctor is not an insect superhero, he would have no reason to be hanging upside down–”

“How would you know if he’s a superhero or not? What if he was bitten by a bat?” you challenge. “Like a bat…guy. Batman.”

He jeers. “Then he’s got a stupid codename.”

“Oh, and Captain America is poetic genius.”

“At least Sam has a codename, where’s yours?” 

You narrow your eyes at him. “Maybe you should have paid attention when your mother was screaming it las-”

“Shall we move on?” Brenda asks calmly. 

“Yes,” the both of you reply simultaneously. 

She doesn’t even bother looking at you, almost as if she’d seen it all in her lifetime. 

“Besides, sometimes you can see him sitting on one of the operating tables. He doesn’t just hang out on the ceiling like… bat…man,” she explains, leading the way back out. 

“See?” 

“See what?” you ask. 

“Nothing,” he replies. “There’s nothing to see. That’s the fuckin’ point.”

You shove him lightly. 

Bucky bites back a grin.

_____

The morgue is silent. 

The ceiling is low and chipped, streaked with stains of old water damage, the paint fallen away in patches. 

Against one wall, old, disused morgue drawers stand open and half-broken, the once-sleek stainless steel now speckled with rust. Some of the drawers are bent out of shape, while others are stuck, sealed tight from years of neglect. Inside some of the open drawers, tattered, yellowed tags hang loosely from the handles, swaying gently as the chill air moves through the room.

“This room’s self explanatory,” she says. “Sometimes, you can hear spirits still trying to claw their way out of the drawers but they never open.”

“Skill issue,” Bucky mumbles under his breath.

“Shut up, oh my God,” you whisper-yell, still mouth pulling into a thin line to stop from laughing. 

“What?” Brenda asks, suddenly from near the drawers. 

You had no idea when she even went there. 

“Nothing,” you reply, before thoughtfully asking, “Bucky, truth or dare?”

“No.”

“Dare it is.” You shine a flashlight at one of the closed drawers. “I’ll give you twenty bucks if you get in one of them for a few seconds. Let’s see if the ghosts come at you.”

“You're deranged,” he replies, incredulous. 

“It’s for science,” you insist. “How else will you know for sure?”

“I’m sure it’ll be comfortable,” Brenda quips. “Like a coffin.”

The both of you look at her together in silence.

She shrugs. “It’s what I’ve heard from them.” 

You look at her for a second more, before turning to Bucky. “Anyway, if you want I’ll come lie in there with you.”

“How does that make it better?” he exclaims. “I am not lying in the morgue.”

“Even if I’m in there with you?”

“That’s even worse–”

There’s a loud knock from one of the drawers on Brenda’s side. She looks down at it, almost like she was expecting it. Soon, there are further loud thuds that come from inside the remaining drawers. 

“Hey, Magda,” she calls, before more knocks come from inside. “You’ve got visitors. Say hello.”

You grab the spirit box from behind Bucky’s ear and hold it in the direction of the wall. Nothing registers.

“Animals,” he answers the question hanging in the air calmly. 

“The spirits?” Brenda replies. “They’re not gonna like that.”

Sure enough, a few of the drawers start rattling on their own accord.

You look at Bucky with an eyebrow raised.

“What?” he carps. “I’m not gonna go lie down in there, if that’s what you want.”

“Come on, take one for the team,” you whine. 

“You take one for the team.” 

“I’m literally the one pulling all the weight around here. You do it.”

Bucky doesn’t agree with you on the last part, but the first one is undisputably right. He makes a mental note to start contributing a fuckton more if he plans on continuing on in the series. 

The rattling around comes to a halt eventually. 

“If none of you want to get in there, should we move to the next one?” Brenda points to the door. 

“Yes, please,” you confirm, sending Bucky a glare.

She leads the way up the stairs while you both follow, bickering and shoving lightly.

Once upstairs, Bucky glances down the hall, only to  see a large double door that is noticeably different from the rest you’ve seen so far. There’s a fading rainbow drawn on the front, little footsteps painted onto the floor leading towards it.

Bucky hesitates, steps faltering. “Is that the children’s ward?”

“Yes,” Brenda looks over her shoulder briefly. 

For a second, he wonders. Whether it was worth a shot. He hadn’t heard from her since the incident at the house, and the tarot cards have been suggesting nothing but reasons to believe she may actually be there.  

“Are we going to check that out?” he asks. 

“No, there’s nothing there,” she shrugs it off. “No spirits. I’ve asked the others too.” 

Bucky shifts uncomfortably. “Are you sure?”

You shoot him an odd look that he refuses to meet. 

“Yep. Next stop’s the other way.”

Bucky spares the doors another long look, before traversing down the hallway with you. 

“Why do you wanna go to the children’s ward?” you query, voice low. 

“Just thought it was worth checking out,” he replies, voice steady.  

“We can always make a run for it and go check.”

“No,” he says, giving you a curt shake of his head, “it’s alright.”

“We’re right down this way,” Brenda calls, turning a corner and disappearing out of sight.

“Coming!” you call back before spinning to Bucky. “Hey.”

“What?” he responds, moving at his own brisk pace. 

You tug him back with you with force. 

“What are you doing–’ he hisses.

You link your arm with Bucky’s, pulling him along with you as you walk, shutting him up. He eyes your elbow looped with his and the proximity with which you walked beside him and all of a sudden, the back of his neck feels quite warm, extending down to his chest.

“I think Brenda’s a ghost,” you tell him casually.

Bucky stops in his path, drawn very much back to reality. 

“Keep walking,” you grit through a smile. “I’m pretty sure she’s dead. Why else is she totally chill with the ghosts here-”

“Because there aren’t any. It’s animals.”

“Why is she saying coffins are comfortable? Why is she talking to the ghosts and knowing exactly where they are and aren’t?”

“I can make shit up too, look,” Bucky comments enthusiastically. “Oh, down the hall is the isolation room. You’ll hear heavy breathing because that’s where the tuberculosis patients were–”

“That’s one of the isolation rooms,” Brenda’s voice echoes down the hall. “It’s next up.”

You yank your arm away from Bucky when he blinks, a bit surprised himself. 

“Are you dead?” you whisper-yell.

“Only ‘cause the government declared it,” he sighs. “Do you know what a fuckin’ pain it is to get undead.” 

“Come on.” Brenda beckons to the both of you with her flashlight. 

With a slight shove, the door to the room swings open easily, but the smell of old paper and mildew floods your senses. 

The bed is now a rusted, sagging frame, the thin mattress long since torn and discolored with age. The once-clean sheets have yellowed and frayed, with remnants of old stains. Thin, brittle blankets lie in a heap on the floor.

The walls are bare, save for a few faded medical charts and broken instruments that were left behind in haste. The small window that once offered a faint glimpse of the outside is now cracked and filthy. The weak, filtered light that struggles through the dust-covered glass barely illuminates the room. 

“Patients who were highly contagious were quarantined here. Some of them died without family by their side, so you can still hear their cries. Some of them have problems breathing, so sometimes you’ll hear it through the vents,” Brenda explains. 

“I bet,” Bucky drags out, sending you a “I fuckin’ told you so” look.. 

Down the hall, something makes a loud sound, almost like something had crashed into the floor. 

All three of you turn towards it. 

Brenda’s face flickers for a moment before turning back to its regular calm. 

“I think someone’s angry,” she decides. “I’m gonna go check it out.”

“Do you want us to come with you?” you offer.

“I’ll be okay, I’ve known these people all my life. We’re friends,” she comforts. “Oh, sometimes if you look out the door, you’ll see shadows of people in the waiting room down the hall. They’re just old families lingering around, hoping for better results but they always leave upset.”

“Is there no way to get them out of here?” you ask.

She shrugs. “Unless you find a way to fix their disappointment, I doubt they'll leave. They’ll stick around until something improves or changes.” 

Bucky’s eyebrows furrow at the implication. If that were truly the case, and not just something he concocted in the deep, self hating crevices of his mind, then he had to figure out which part of the fucked up mess that he was had pissed his sister off enough to come back to let him know she was disappointed. 

You nod at her and she nods, spinning on her heel to exit the room, but not before she stops for a second, hand on the doorframe as she catches her breath, and one hand on her spine.

“Are you okay?” you sound genuinely concerned.

She flashes you a thumbs up, leaving without so much as another word. 

“She’s gonna come back with some bullshit about the hospital canteen staff dropping their pans or some shit,” Bucky remarks.

“Yeah no, that was me. I just wanted her out of the room so we could discuss something,” you wave it off quickly. 

Bucky stares at you.

“What? I dropped a cart. It’s not a big deal. Anyway, listen–”

“She’s not a ghost,” he states resolutely.  

“But what if she is,” you insist, a wicked grin on your face. “Imagine saying we got a ghost tour. By a ghost.”

“I can imagine saying that, yes. I have a very wide and limitless imagination.” 

“Ugh, what if we’re meant to help her find her way back?” You peer over his shoulder to see if she’s walking back. 

In the distance another crash sounds through the empty hallways. Bucky stares at you.

“I’m just making sure, it’s not like I’m hurting anyone” you insist, dismissing it. 

“You could've just closed the door,” he says, extending one hand behind him to slide it closed.

“Don’t do that,” you blurt out.

He stops, eyebrow raised.  

“I don't like when doors are closed,” you shrug it off. “Anyway, back to the point. We should totally figure out how to help her exit this realm.”

He slides the door back open slowly, narrowing his eyes at you. 

“EVen if she were a ghost, which she’s not– she seems happy here. Maybe,” Bucky comments, taking a seat on the worn out bed. “I can’t really tell.”

“She can’t be. Imagine being forced to roam the same hallways over and over again till the end of time.” you shudder. “Sounds miserable.”

Bucky shrugs, poking at the pillow, watching a cloud of dust fly up from it. “Routine sounds fine to me.”

“I’d hate it,” you counter immediately. “I hate routines. Fucking inescapable once you get stuck in one.”

Bucky watches you curiously as you shift up and down the small room. “How do you get anything done?” 

“I can get things done without a routine.” The camera follows your command, checking outside the window or the door occasionally facing Bucky. “Why?”

“Just asking,” he replies, checking the time on his phone. It’d been a while since Brenda had gone to investigate.

“And having a routine totally makes you an easy target. Haven’t you watched any assassination movies?”

“No. I didn’t like bringing work home.”

You look at him in surprise before your face splits into a smile. 

Something makes a noise from the wall adjacent to the door. 

You both look at each other, and he gets off the bed to go see what the deal is. The door is adjacent to the wall, giving him a clear look into the hallway that was still empty. 

A faint wail sounds through the vent above his head. You take quick steps towards where he was, and the camera follows suit, pointing at the grill on the wall.

You stand underneath it, spirit box raised as close as you could get it, but the damn thing picks up nothing. 

Another noise comes through, almost like someone was wheezing, before the vent rattles, stopping altogether.

You stare at it, before taking a gigantic inhale and exhaling obnoxiously, forcing all the air out of your lungs with a wheeze. 

“What the fuck are you doing?” Bucky stares at you like you're insane. 

“Well, you can’t just back down,” you argue. “I’m gonna breathe louder than that thing.”

“Jesus Christ,” he mumbles.

You give another gigantic inhale and exhale, rattling all the bones in your body, and the faint noise from the vent stops too. 

“We win,” you beam 

 “You’ve completely lost it.”

“Uh, no, I didn’t. I totally won.”

“That’s not what I–” Bucky starts but stops himself when you grin at him devilishly. 

He sighs, asking instead, “Should we go looking for her?” 

“I guess so,” you shrug. “We’re not exactly cut to be her saviours right now. I’m pretty sure she knows the layout of the hospital better than we do if she’s been haunting it for fifteen years.”

“Where did you get that number?” he demands. 

“Does it matter?” you urge. “Didn’t realise you’re a valid ghost only if you have a certain number of years in haunting.”

Bucky ignores you, taking off down the hall. 

“If you had to haunt a hospital or a ship, what would you choose?” you quip, matching his pace. 

“Hospital,” he answers without thinking much.

“Why?”

“I spent a lot of time in them,” he tells you, voice clear. “Steve’s mom was a nurse. We’d meet her there a lot when he got his ribs broken or his nose busted.”

The memory, though faint, is enough to pull a smile from him. 

“He also used to be sick a lot, so I used to come pick up his medicine for him,” he adds. “They used to know us by name because we’d be there nearly every second day.”

You exhale a small laugh. “Every hospital in the state of New York has a chart for Steve even now.”

“Fuckin’ guy just dosn’t learn.” Bucky shakes his head with affection-laced irritation. 

The hallways stretch out endlessly, dim and wide. A few doors line the walls, some ajar, revealing only darkness inside. The silence is unnerving, broken only by the soft sound of you and your footsteps.

Bucky looks over at you. “What about you?”

“What about me?” you hum, small smile still on your face. 

“What would you haunt?

“Ship, I guess,” you reply. “I’ve always wanted to be a pirate.”

“Should be your next job.”

“You gonna come with? We’ll turn it into a vlog.

“Fuck no.”

“Well, thanks for taking the time to really consider it,” you sing, not really offended. “Way to let me down gently, Barnes.”  

“What? It’s got nothin’ to do with you.” Bucky clarifies still, pausing before letting out, “I get seasick. Can’t be on water for more than five minutes before I’m throwing up all over the place. You want that in your vlog?”

It’s enough to elicit a laugh from you, that in turn makes the corner of his lip curl.

“We could always–

Right in front of him, something moves darts across the wall at the end of the hall.

It cuts you off mid-sentence too, the both of you glancing at each other before turning towards it again.

Against the glare of your flashlight, another shadow darts across the wall. 

“That’s what she was talking about,” you whisper, slightly in disbelief that she wasn't wrong. “Shadow people. Do you think they got to her?”

Bucky rolls his eyes, continuing to walk on ahead. 

“Um, hello?” you scramble to catch up with him. “Where is your self preservation?”

“Against what?” he asks stoically. 

“That,” you say pointedly at the wall, when another figure darts across the wall and disappears out of sight. 

Bucky rolls his eyes. “It’s a shadow, the fuck’s it gonna do?”

“Haven’t you heard of shadow demons? Succumbing to darkness?” you chastise. 

Bucky stops walking, standing solidly in the middle of the hallway.

“Okay,” he says, refusing to budge. 

The hall goes silent, no movement other than the steady rise and falls of your chest. 

You stare at him. “Now what.”

“I'm waiting for them to do something,” he says. “I’m waiting to succumb to the darkness.” 

“You’re so annoying,” you bite, dragging him along with you. “And I’m tired, we’ve been walking for like, eight hundred hours. Let’s go.”

“We’ve been here for two hours,” he reminds you, taking a turn into the corner that the shadows disappeared into. “You did this to yourself.”

“Fine, next time I’ll bring an electric scooter with me.” You huff. “And I won’t even let you use it.”

“Where’d Brenda fuckin’ go?” Bucky mumbles, eyes squinting into the darkness to see if there are any clues.

“Where are you guys going?” Someone pipes up from behind you, sending the hairs on his neck up. 

The both of you spin around instantly, arms clenched in a fighting stance. 

“Sorry, it's a habit to take the scenic route back.” She chuckles, unfazed. “Not a lot to do when you’ve been here so long.”

The both of you lower your hands slowly, letting out an exhale.

“Y’all ready to head out?” she inquires, coolly. “I think it’s time we all get some rest.” 

The walk back is relatively quicker, ater she leads you down a path she calls a shortcut. 

The only thing that slowls you down are the occasional stops you had to make for her back ache.

Right by the entrance of the hospital, she holds onto the door frame again in the midst of explaining who was haunting the basements. 

After a particularly hard exhale and a clamour to stand back up, Bucky awkwardly clears his throat to ask, “Have you tried this stretch?”

“What?” Brenda asks, eyes curious. 

“Learnt it in physio. Doesn’t cure it, but it helps,” he explains, craning his neck to the sides, before taking a step ahead towards her.  

You watch him in thinly veiled delight as he shows her exactly what joint to bend and in which angle, and the degree to which she had to pivot.

He even uncomfortably guides her shoulders in the strangest yoga session you’d ever witnessed. 

“Should help,” Bucky mumbles, taking a step away. 

She raises her shoulders and drops it, lips pursuing and bows raising in a look that seems impressed. The small hunch she carried wit her seems to have disappeared too. 

“Let’s go,” Bucky doesn’t wait for a thanks or anything, taking a step away from her and towards the exit. 

“Now that you’ve fixed her back ache, how do we fix her haunting the place?” you ask lowly. 

“She’s not a fuckin’ ghost, she’s fine,” he whispers back. 

“Nothing about what she’s said tonight is normal,” you argue.

The night is clear and cool when you step out, the musty scent of the building dissipating almost immediately.

“Just say bye, we’re fuckin’ leaving,” Bucky shoots. 

You sigh loudly, giving him a glare at his lack of helpfulness before plastering a smile on your face and turning around. 

“Well, thanks for everything, Brenda,” you say, turning around to stick your hand out. “We sure couldn’t have–”

But she’s gone.

“Holy shit,” you say. 

Bucky looks over his shoulder at the disturbance, before turning around fully. “Oh, fuck off.”

“I told you she was a ghost,” you gush. “You fixed her back ache and now she has crossed over to the other side.”

“Shut up,” he replies, looking all over the place for a sign of where she could have disappeared to. 

“You did it, Bucky, you helped a lonely spirit,” you cheer. 

“I did not.”

“Hey!” Someone shouts from afar, commanding your attention to the gate again. 

“Not again,” Bucky mumbles, eyes snapping shut. 

“More ghosts,” you point out excitedly. “Come on, Charon, ferry those spirits–”

“You ferry your own spirits, I’m going to sleep,” he interjects, fully intending on ignoring the person at the gate and simply getting in the car.

“What are you guys doing here?” A man pants, jogging up to the both of you before Bucky had the time to leave. 

“We were just taking a look around,” you say, sticking your hand out, much to Bucky’s displeasure. “We heard the place was haunted.”

“Ah, I see,” he replies, taking in your appearance. “Podcasters?”

“No,” Bucky replies instantly. 

“We were just leaving,” you cut in. “We already got a tour by this ghost, and Bucky totally sent her to the afterlife.”

“I did not,” he seethes. 

“She disappeared after saying ominous shit this entire evening, what do you call that?” you challenge. 

“Going home,” Bucky responds, frustrated that he was clearly not afforded the same privilege.  

“Uh–” the guy holds up his finger. “--not to intrude, but you got a tour by a ghost?”

“Yes,” you bubble over with excitement. 

“And this ghost… did they have a backache?”

Bucky’s interest piques, the irritation giving way to intrigue . 

“You know her?” you puzzle.

“Uh yeah, that’s Brenda,” he admits sheepishly. “She’s very much alive.”

Bucky would have sworn he had never been this elated in his life, but unfortunately he realises very quickly that he simply does not care.  

 “She said she was a security guard here– wait, who are you?”  you tilt your head at him, seemingly not upset at all. It reduces Bucky’s non-existent triumph even more. 

“Travis Dowell, Labyrinth Inc. representative,” he says, shaking your hand. “We’re–”

“--the company that bought the place,” you complete, eyebrow raised.  

“Yeah.” He nods. “Brenda was a security guard here for nearly thirty years. We had to let go of her when we bought the hospital. We’ve been trying to turn it into an apartment for years, but there’s a lot of red tape that we have to get past because of healthcare reasons.”

“Yeah, she told us that it got bought,” you follow along. 

“Hospital was in the worst financial situation possible. There was just no way out.” He shrugs. “But she was super attached to this place. She didn’t take the redevelopment plans well, so she’s taken it upon herself to make sure it never happens, I guess? I don’t know, she spends a lot of time here convincing people that it’s haunted so that people don’t build anything here. She’s got an apartment close by so she knows when someone’s around. You’ll probably find her there, if you want.”

“You guys know about her?” Bucky questions, crease between his eyebrows.

“Uh, yeah, we do,” he says, rubbing the back of his neck. “We sorta ignore her. Her schtick’s annoying, but it’s not the reason we haven’t demolished this place yet. Once all the zoning issues get cleared up, the building’s coming down. And besides, all the PR’s just gonna have people pay a shit ton to stay here. You know, novelty of it being haunted, and all that.” 

“How’d you know we were here?” you ask pointedly. 

“We’ve set up motion sensors in the place?” he replies. “You may have seen them. The red lights in the operation rooms. We know she takes people there.”

“Oh, that’s what that was,” you turn to Bucky who simply shakes his head lightly. 

“Yeah, she really goes the extra mile.” Travis shifts from one leg to the other. “There’s raccoons in the morgue that start running around if she hits the door. What else… oh yeah, she’s made a hole in one of the isolation rooms to make noises through the wall.”

Bucky wonders what will happen of all the footage now that none of it was essentially real. It made sense why she kept trying to find out where the video was going to be posted and how many people were going to view it now, as if a large number of views were going to save her beloved building. 

“So you’ll just let her do whatever until the demolition happens?” you question. 

“If it gets her to stop vandalising our office downtown.” He shrugs. “It doesn’t make a difference to us either way.”

“Right. So the real horror…” you say. “...is capitalism.”

Travis stares at you, before raising and dropping his shoulders. “Sure.”

“Alright.” You blow out an exhale. “Well, was anything about tonight real?”

“I mean, she really does have back pain,” he adds helpfully.

You turn to Bucky. “Net positive, then.”

Sure. Why the fuck not.

“Okay, Travis, thanks for this. You’ve been an immense help,” you say aloud, hoisting the camera onto your shoulders. “You can watch us on The Graveyard Shift, if we can figure out what to do with all these videos now.”

“Sorry about that,” he replies, shoving his fists into his pocket. “Good night.”

You watch as he turns and jogs away to his car that was parked a bit closer to the gate than yours was. 

Bucky plucks the camera off your shoulder and places it under his arm, even though he’s well aware you can carry fifteen of them at once.

“That was fun,” you tell him, seemingly over it already. 

“I’m fuckin’ starving,” he replies. 

Bucky should be glad then, that he didn’t bother with the children’s ward, if nothing about tonight was real–

“Travis, wait,” you shout all of a sudden. “What about the shadows?” 

“What shadows?” he calls back, confused. 

“The shadow people moving across the hall from the isolation room?”

He raises his eyebrows. “We haven't heard reports of that.”

“Fuck’s sake,” Bucky mumbles.

“Hell yeah,” you reply, knocking into his shoulder. “Haunted hospital, baby.”

When you walk into the dining room, you don’t really expect anyone to be there that late at night.

But fiery red hair pulled into a ponytail and an oversized t-shirt perched at the kitchen counter catches you off guard, dulling the arguing between you and Bucky as you argue the logistics of Brenda having a hand in the shadow demons. 

“Took you guys long enough,” Nat keeps her mug down on the counter before hopping off the chair. You note that it’s the same one you got her a few weeks ago from the flea market, the blue ceramic one.

“Oh, hi!” you smile wide, when she pulls you into a hug. “I thought you were in Lagos.”

“I was,” she replies, pulling away. “Got done early.”

“Of course you did. Overachiever.”

In the end of the common room, Bucky can hear the faint sounds of late night infomercials play through the TV. Clint’s legs hung off the couch as he lay snoring in front of it, blanket dropped on the floor in a heap. 

“Hot chocolate?” she offers. 

“I’m good, we went to the drive-through before coming back.” You beckon with your shoulder towards Bucky. 

She finally turns to him. “Hey.”

Bucky gives her a curt nod, glad that she’s back safe. 

“Why were you out so late?” She gives him a onceover, before raising an eyebrow. “Together.”

“Hospital date.”

“Video shoot,” he says at the same time, glaring at you. You shrug. 

Nat’s lip trails up into a smirk. “Put on your big boy pants and finally admit your crush?”

Bucky drags a palm down his face. “I do not have a crush.”

“If you say so,” she concedes innocently, eyeing him over the rim of her hot chocolate.  

“Are you all in on this? Do you have a quota to reach?” he groans. “Why’s everyone asking me this?”

“Who is ‘everyone’?” you sound delighted. 

“If you don’t want people to call you out on our shit, maybe don’t walk around with heart eyes,” Nat comments.  

Buck’s look is ice cold, but Nat just gives him a wink when you laugh. 

“Hey, I needed to talk to you about something.” She turns to you. “You free for a second?”

“Always,” you reply in earnest. 

Nat leads you a few steps away, hand on your shoulder.  

Bucky takes his seat at the counter, stealing a sip from Nat’s mug. Of course, it was fantastic. Overachiever.

He tunes out intentionally, focusing on the fact that Clint was splayed out on the couch with the TV on a low volume. He knows for a fact the blonde was asleep, and probably would wake up with the worst neck pain in his life, but this was the life he chose.

After watching Clint nearly fall off the couch twice, he looks away, not intending on prying on your conversation but vaguely watching the interaction out of the corner of his eye.

He frowns at what he sees. Nat’s face has turned solemn while she talks to you in hushed tones. Your eyebrows were pulled together, arms crossed over your chest. 

Bucky feels a shift in the air, but he’s not sure what exactly has gone down. 

Nat finally tells you something surely, and you nod. She cups the side of your face and you force out a smile at her, before her hand drops.

The both of you make your way back to him. He turns his gaze back to the counter. 

“You owe me a hot chocolate,” Nat tells him, before giving him a quick kiss on the temple and stealing her cup right back. 

“I barely drank any,” he retorts, eyes still trained on you.

The TV clicks off and she drags a half asleep Clint back down the hall to his bedroom while the man rubbed at his shoulders, trailing behind her obediently. 

Meanwhile, you grab a glass of water from the tap, drinking it slowly as you head towards the elevator.

“G’night, Buck,” you tell him, passing by him.

“Hold on,” he says, voice less gruff than before as he watches you, face tight, “What’s going on?

You observe him for a few long seconds, but he gets the sense you aren’t exactly looking at him. Your eyes are slightly glazed over, and your mind is… elsewhere. 

“What do you do when people refuse to let go of something you’ve already escaped?” you ask finally.  

“What do you mean?” Bucky’s eyebrows knit together tighter.  

“Do you feel like everyone’s eyes are on you?” you say, voice strange. “Like there’s nowhere to go?”

“Where is this coming from? What’d Nat tell you?”

It seems to snap you out of whatever funk you were in, at least partially. “It’s probably nothing.”

His frown only deepens. “Is someone threatening you?”

“No, nothing like that.” You shake your head. “Don’t worry about it. It’s gonna be fine.” 

Bucky stares after you as you press the button to the elevator. He isn’t really sure what to make of the what you just shared. He isn’t even sure he should ask Nat about it later on considering that she didn’t want him listening in now. 

He watches the light above the elevator light up before a ding sounds through. 

“Just so you know–”  

Bucky’s eyes snap back to you, one step in the elevator. 

“I had a codename, too,” you tell him. “I just never liked it.”

Bucky is only left staring as you disappear into the elevator, leaving him in silence. 

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Next part

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[justsomeoneintoomanyfandoms]

I Want You Back - Vagastrom Edition

This was originally requested by Anon who asked: "Could you make headcanons where you have an established relationship with the Tokyo Debunker characters but your ex suddenly tries to win you back?" The links to the other houses are below.

Fandom: Tokyo Debunker

Characters: Alan Mido, Leo Kurosagi, Sho Haizono x gn! Reader (separate)

Frostheim | Vagastrom | Jabberwock | Sinostra | Hotarubi | Obscuary | Mortkranken

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You're happily in a relationship with the Tokyo Debunker characters. So how will they react when your ex suddenly tries to win you back?

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You’d think Alan would be super protective of you but he’s initially going to be very reserved. His self-doubt is coming back at full blast and he’s going to give you as much room as possible to make the decision you want.

He thinks you’re going to get back together with your ex so you’re with someone who isn’t constantly worrying over hurting you.

But the second he finds out you want to be with him and just want your ex to leave you alone, he’s going full protective boyfriend mode.

There’s no way your ex is going to be hanging around now that Alan’s stepped up to protect you. You’ve already got a wonderful boyfriend that has everything you could ever want.

Oh, Leo’s going to be so toxic with this one. But surprisingly not towards you. If he’s in a genuine relationship with you, he’s going to be really careful he doesn’t push you away.

No, no, no, he’s going to be super toxic towards your ex. I’m talking “befriending” them, then leaving them on read, doxing them, spreading rumours, and just generally making this person’s life a misery.

He’s also not afraid to bring his followers into things. He’ll post a video talking about how more people need to learn to accept no’s. And the second he lets slip “accidentally” that your ex has been hanging around, his followers are on the case.

There’s only a moment where Leo considers the possibility that maybe you want to be with your ex. But he’s going to push that thought down with all the other negative thoughts he has. He’ll deal with them one day…

Sho is the ultimate balance of Alan’s reservedness and Leo’s immediate defensiveness. And the main difference is that he’s going to sit down with you and have a conversation about what you want to do.

As soon as he knows where you stand, he’s got permission to act on all the protective feelings bubbling inside him.

Sure, Sho’s a nice guy, especially when it comes to you, but he’s in Vagastrom for a reason. He’s going to try and talk to your ex first and if that doesn’t work, he’s challenging your ex to a round in the pit.

 He knows damn well he’ll be able to beat you ex in the ring, especially if he has you cheering him on loudly from the side.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.

[darnell-la]

𝗔 𝗥𝗘𝗔𝗦𝗢𝗡 𝗧𝗢 𝗦𝗧𝗔𝗬 (ᴘᴀʀᴛ ᴛᴡᴏ)

pairing: the worst!logan howlett x wade’s goddaughter!reader

warning: ghosted, crying, mention of alcohol, Wade getting mad, fighting another mutant, SEXUAL ASSAULT, etc.

summary: Logan tried ignoring y/n, afraid something would happen to her like the rest of the people he cared about. That was until Wade told him about the man she was afraid of. The man who would do anything to hurt her.

After seeing the sight before him when he went to get y/n, he was crushed. That man needed to die, and Logan was going to make that happen.

follow our Instagram @ darnell.la so we can start posting random videos, photos, edits, and memes of the people we write about!

———

Logan has been away for thirty minutes, thinking about what he just got himself into, and what he’s gotten y/n into.

He truly believes that he is cursed and there’s no saving him. Even if he was cursed, it was just the devil's luck that everyone he loved died. Karma is also on the way for what he’s done.

He didn’t want you y/n to know what kind of person he was, even though that was just a one-time thing. He didn’t mean it, but he was just so angry. They killed his family, and he wasn’t just going to walk away.

Logan slowly got out of bed so he wouldn’t wake y/n up. He wanted her to get a good rest before she started her day.

Logan looked around the room until he found a mirror. He slowly walked up to it, getting a look of himself. He hasn’t looked at himself in the mirror since that day. He couldn’t deal with it.

He scanned his body, surprised at the work he’s got on him, even though he hadn’t gone to work until Wade picked him up.

The man smiled to himself, feeling great that he could look good for someone like someone. At her age, she might not want a sloppy Joe. She’d want a Logan Howlett, old but can fuck her on the wall.

The man soon stopped himself, feeling like he was smiling too early. What if y/n just wanted a one-night stand? What if the Wolverine she was crushing on is way different than him?

Does he deserve to settle down? Would the people's family members he’s killed accept this? Would you accept what he did?

Logan’s thoughts were all over the place. He could stay here. The man quickly put his clothes back on and left, making sure she didn’t wake up to the sight of him leaving.

A couple hours later, y/n woke up. She had almost forgotten what happened last night until she felt the dent right next to her, in her mattress.

Y/n smiled to herself, already missing his presence. He was so good at what he did. She felt safer than she’d ever felt. He truly is a hero.

It’s been a week since Logan has talked to y/n. Wade had given him a flip phone a few days ago with his hand y/n’s number in it for emergency contact, but he never reached out. Y/n did, but he hung up. He didn’t ignore it, he hung up.

Every day when y/n woke up, she looked straight at her phone, hoping Logan had texted or something, but he never did. Her smiles always faded and stayed faded for the rest of the day.

“Are you going to Max’s party tonight or no? I know you two don’t really — get along,” Y/n’s friend asked after she sat down at the cafeteria table she always sits at.

“Don’t want to, but I might have to,” she said, knowing Max would text her about it later today. “Why have to?” Carla, her friend asked, making y/n snap out of her memories of her and him.

“Oh, nothing, just- Because I want to party,” y/n switched how she presented herself so she wouldn't alarm her friend. She didn’t want anyone to worry. This was her problem. No one else.

Skip to the nighttime, y/n had gotten a text from Max, demanding her to show up at the party. She wanted to argue and tell him she was not coming, but she knew what would happen if she didn’t.

She’s exposed her, and while he did, he’d take whatever else he wanted from her. He was evil, but she was the only one who knew that.

As y/n got dressed, she got a call. She jumped on her bed to see who it was, hoping it was Logan, but it wasn’t. It was Wade. “Fuckin’ hell,” she sighed.

“What, Wade?” Y/n asked, annoyed. “So, how have you been?” Wade asked, starting a boring conversation, so y/n put him on speaker and continued. “Same old, Wade. What do you want?” She asked, making him giggle.

“Wanted to ask how you and Logan get along. Kinda needa make him some new friend, ain’t that right, peanut?” Wade talked to the man like a puppy.

“Wait, he’s with you? A-Are you on speaker?” She asked, feeling her heart pound. “No, of course not. Privacy matters,” the man spoke as he winked at Logan, totally on speaker.

“Oh, well — I don’t think me and him are going to work. Like friend wise,” y/n said. She wanted to be more than friends, but he ghosted her after they had sex. The best sex she’s had in her life. She can’t put that all behind her.

“What!? Why!?” He asked as Logan stood up quickly, wanting to say something, but Wade stopped him. “I-I don’t know,” y/n lied and Wade knew it. He hoped the man didn’t yell at her or make her cry.

“Look- I gotta go to a party, so, uh, please just- Don’t try to fix my life,” y/n said. “What are you talking about? Wait- Are you going over to his house again!? Y/n, we talked about this,” Wade got serious, and Logan has never seen that from him.

“You know him, Wade. I-If I don’t go, he’ll tell everyone and then I can’t live a normal life. That’s all I want. A normal life,” y/n’s eyes began to burn.

“It’s 2024, y/n — People will accept-“ Wade tried saying. “No, they won’t!” She yelled. Wade could hear the change in her tone, so he let it go. “I-I’ll call later,” she said before she hung up.

“The fuck was that about?” Logan asked. “It’s a long story that I can’t tell,” Wade said as he leaned back on the couch. “What!? But you had her on speaker when you told her she wasn’t. What’s the big deal about telling me when she’s not even here?”

“Look- It’s different, peanut. My baby girl has been through a lot, and it’s not to easy make this guy go away,” Wade grabbed the remote to his TV to turn it on and watch some kind of cartoon.

“Woah, and — The fuck did you do to make her not wanna be friends? God, you’re so fuckin’ hard to deal with. Always lashing out like the big ole beast you are,” Wade rolled his eyes.

“I didn’t do anything — I just left before I could hurt her,” he said. “What?” Wade looked up at the man who was standing in front of him. He was confused until it finally dinged in his head.

“Y’all fucked!?” Wade jumped on his couch as he shouted. “Oh god,” Logan rolled his eyes as he walked back to the small couch he’s always on and flopped down.

“You do! You dirty little gribble. God fuckin- Fuck! You’re a fuckin’ dumbass,” Wade couldn’t stop rambling. “Heard that before,” Logan said as he grabbed his half-empty beer before chugging it down, thinking about how much of an asshole he is.

“You can’t just fuck a girl- Especially a college girl, then leave! You like- Dude, you broke her heart!” Wade grabbed his head, stressed that Logan could fuck up this bad.

“Well, clearly I didn’t even she was heading over to another man’s house that she’s clearly not supposed to be with,” he was jealous. Once she mentioned a dude, Logan’s blood boiled. She moved on so fast.

“You dumb bitch — He’s abusive! He’s making her go over there!” Wade yelled at the man. “What?” Logan asked as he placed his bottle down. “Why would she go over there if he’s abusive?”

“Oh, well maybe because he’s a mutant, and would kill her if she didn’t. Or expose her which I think she’d rather die than let people know she’s one too,” Wade said then covered his mouth. He fucked up.

“She’s a mutant?” Logan asked with a soft voice. One of his worries was that she’d never understand him, or die years before he would somehow grow old.

“Fuck it, let’s go. I got the Wolverine now so we have a ninety-nine point ninety percent of winning, but that point 1 percent can fuck us,”

Wade and Logan quickly rushed out of the apartment and rushed over to Max’s house, not knowing there was going to be a huge party.

“Who the fuck is this kid?” Logan asked as they got out of Wade’s car. “He ain’t no kid — Bro has been awhile for almost as long as you. He just looks like he’s in his late twenties,”

“He’s a strong mutant or what?” Logan asked, not really caring what he was. He was still going to kill him for doing the things Wade told him he’d done. He’s sick.

Wade told the story of how y/n came back up bleeding everywhere. Even from her legs. The sick man has been trying to trap her with kids for the past couple of years after he found out she was a mutant himself.

He wanted to rule, and he needed a family to do that. Y/n was one of the strongest mutants he’s seen, and he’s one of the strongest mutants Y/n has seen. She’s too afraid to fight him. He made sure of that.

“You call y/n?” Logan asked as he pulled his flip phone out. “Yeah, but she’s not answering,” Wade said as the two walked towards the home and inside, ears instantly ringing from how loud the music was. “She ain’t answering me either,” Logan said.

Y/n was currently in Max’s room, laid out and drugged. Some days he’d want a fight while the others, he just wanted it to be relaxing.

Y/n could barely move, but she could see everything clearly. Even though her head was spinning, she could see Logan calling her phone.

It was so close. Her hands were so close to it, but her body was weak.

“Who’s this?” Max asked as he picked up her phone, making her sigh. “Hm?” he turned the phone to her face, showing the calling picture being Logan when he was knocked out the night that had sex.

“No one,” y/n got out with a struggle. “No one, huh? Well, that looks like the Wolverine, and last time I checked, he died,” Max said before he hung up and tossed her phone to the side.

“Don’t make me ask again, y/n,” Max threatened as he looked down at her. “N-No one,” she said, not wanting to put Logan in danger after he clearly wanted nothing to do with her.

Max laughed low as he took his shirt off and leaned over her body, his waist coming up and between her legs to spread her enough for him.

“Once I find out who he is, I’m going to kill him — Slowly,” Max added as her head moved side to side, begging him not to. “And I see he’s shirtless — On your sheets, so I’m going to do all of it in front of you while I show him who you belong,”

Y/n sobbed at the thought of him hurting someone because of her, again. He was evil.

“She’s not down here,” Logan said, feeling his heart raise. “Upstairs,” Wade spoke before running up the stairs to search every single room. The house was big, but that was their least concern.

“Always so tight for me. You sure you don’t want this? If you just give in, we could have a perfect and happy family,” he was insane, and she wanted no part of it.

“Y/n!” Logan’s voice could be heard down the hall. Max looked up, knowing he’d heard that voice before. “Y/n!?” He yelled again, making Max look down at her with a smirk.

“So, that is the Wolverine? Fuuck, y/n — You really outdid yourself. You think getting with another mutant will keep him alive?” Max slapped the girl across her face before pulling out and throwing her off of his bed.

Y/n struggled but moved her panties back in place before curling up on the floor. She didn’t know what was going to happen. She couldn’t watch.

Max fixed himself up and looked at the door, waiting for it to burst open until it did. There he was — with a friend.

“Deadpool and the Wolverine — Well, isn’t this new,” Max said, but Logan wasn’t focused on him. The man was looking around for y/n until his eyes landed on her. She was in her bra and panties. What Wade said was right…

“You young son of a bitch,” Logan had charged at him, and though Max hasn’t gone against a mutant like Logan, he was lasting a long time. A little too long which scared y/n.

“Let’s get outta here,” Wade picked y/n up to her feet but she instantly fell down. “Fuck- Did he drug you?” He asked and earned a nod. “Fuck!” He said, about to pick her up until he was tackled.

Logan was on the ground, head spinning from the beating he just took from Max, but he wasn’t done. Logan went to charge at the man with his claws out until he saw y/n, still laid out on the floor.

“Y/n?” Logan ran up to the girl, quickly trying to pull her up. “We need to go,” he said but noticed her body was slumped. “He fuckin’ drugged you?” Logan asked, earning a nod just like Wade.

It took everything for Logan not to attack Max. He had other things to do, and Wade handled Max just fine for now with his jokes and fake yells.

Logan was able to sneak out without Max noticing. Some people at the party looked at the man carrying her but paid no attention to it. They only double-checked because she was half-naked.

He made it out of the party and into Wade’s car. He was thinking about driving off until Wade was thrown through the third-floor glass, right next to the car.

“God- Fuck! Fuck, that motherfuckers strong,” Wade groaned as he got up, cracking his leg and arms back in the right spot. He looked to the side to see Logan and y/n lying in the back of his car.

“Get on the car motherfucker!” Logan yelled on the driver's side right before Wade jumped through the passenger side window that was rolled down.

As Logan stomped on the metal and took off, he looked back seeing Max standing in his room that he threw Wade out of.

Y/n was currently sound asleep next to Logan. They’re back at Wade’s apartment. Logan had taken her to bed so she could rest. She didn’t need to go to school tomorrow. He didn’t want her out anywhere until they dealt with Max.

“Next time we see him, we end him,” Logan said, laying on his bed and looking up at Wade who was standing in the door frame. Wade came to say the same. Y/n didn’t need to live a life like this just to be normal.

“All he is, is you without the claws. He regenerates, is fast, grunts a lot, and growls,” Wade had to say something funny. “If we give him around all, we’ve got a chance,”

ᴘᴀʀᴛ ᴏɴᴇ

[bu-blegh-ost]

Something just occured to me. Circling through each beautiful moment in the campaign, I noticed a pattern. Gillion never initiates hugs. Every time, no matter if he is the one consoling or the one being consoled, he never is the first person to offer an embrace. And I think it says something.

When Jay wants to hug Gill, she always asks first. She opens her arms as an invitation and always gives him a clear sign that she wants to be close to him. And any time she offers, anytime Gillion gets permission, any time he feels like he is allowed one, he clings to her desperately and fully, starved for it, finding himself unable to let go too quickly, savoring it like he isn't sure when he is going to be allowed to have another.

Chip's hugs are unprompted and usually done with just as much desperation. They are completely controlled by emotion, and are a form of a language that Chip uses when love and appreciation cannot be expressed by words anymore. Chip never asks for hugs, he takes them. He needs them, so he is scared to ask like Jay does, cause asking means risking to be denied. It is safer to steal it. In contrast Jay is still asking cause she is still afraid of taking love for granted.

But they both, in the end, ask for hugs and comfort in their own ways. Gillion doesn't. He wants it, he needs it so often, but he never dares to ask for it. Cause he still treats love as a reward that he needs to earn, that he is not allowed to ask for, that can't be had, unless he does something that makes him worthy of being loved. Affection and love is a currency and Gill was taught that he needs to fight for it. That it's something he should never dare to request on his own.

How many times on their journey did he need to feel someone else's body close to his, but his lips were sealed, suffering in silence, thinking he Has not done well enough to be given the privalage of being comforted? How many aches and worries did he swallow down and burried deep inside? How many old wounds is he trying to fill with every single hug he receives, when someone else offers it to him? When he dares to take it, when he grips their clothes in an iron grip, trying to make the best out of it before it's gone? Cause who knows when someone allows him to have that again?

The only person Gill ever hugged first was Edyn, the first time in Allport. It was done with the same ferocity of a hurt child, of a little boy who Has been going through hell and his sister is his only remedy. The only person that always lets him have love for free. The only one he knows he can hug for sure. One who for so many years has been the only source of comfort.

The rest of the world is uncertain and even with Chip and Jay, Gill still strives to fulfill the unsaid cryteria of when he is worthy of their affection.

But I know that with enough reassurance and care, he will be able to ask for love himself and start treating his crew as people he can fall back on. And just so you know, the moment in which Gillion is the first one to hug Chip or Jay is going to make me cry like a little baby.

_______

Edit: more thoughts occured

Did you notice that Jay always seems to match Gill and Chip when it comes to hugging? She never asks Chip for hugs and takes them the same way Chip does, no matter if she is the one seeking or offering comfort. And the same goes with Gill. Regardless of whether she is the one in the need of comfort or she is the one comforting, she always verbally communicates a desire to hug first. Like she kinda feels that this is what Gillion needs from her to accept it.

So maybe Jay is actually always trying to search for the most effective way to get a hug, to increase her chances. She believes she has to, cause she cannot take love for granted anymore, not after Ava's death. She took her for granted and now she is gone. So now Jay struggles to freely express her own desires and instead clings to all the ways that she thinks guarantee her the affection she needs, an act of desperation in its own right. A silent plea for acceptance.

Each Captain on this ship treats each embrace as a treasure to savor and protect. It's a result of their past and their fears, but also a proof of unyielding love they have for each other. It's beautiful and one day the same love that they still dread to take, will heal them.

[ikwon1c]

Noona pt. 5

noona 6

characters: kwon jiyong x y/n

summary: no secrets stay buried forever—especially not between siblings.

tags: angst, sibling tension, emotional vulnerability, comfort, guilt, protective seunghyun, post-fight fallout

this gtop pic has me on chokehold 🥵 man, i miss them 💔

You hadn’t seen Jiyong in twenty-five days. Not that you were counting. Twenty-five days since the fight. Twenty-five days since the stupid, ugly, desperate argument in your office. Since he stood in front of you, arms crossed, eyes burning—and asked you if it all meant nothing. If he meant nothing.

And you, in your infinite wisdom, said: “This was a mistake.”

You didn’t mean it.

You meant I’m scared. I’m spiraling. I love you, and I don’t know how to love you in a way that doesn’t ruin everything. But you said it like a dagger, and you watched it hit him square in the chest.

Jiyong had never been good at hiding heartbreak. He just turned it into something else. Smoke. Music. Silence.

So you got silence.

And now here you were, three and a half weeks later, sitting in your office at YG with the lights off and a cup of coffee gone cold, pretending the tight ache in your chest was just stress.

You’d been fine. That’s what you told yourself over and over. You buried yourself in project meetings, edited training footage until your eyes blurred, and took more on your plate at YG than any sane person should. There was always something to fix, something to plan. That was the whole point. Distraction as salvation.

But distraction doesn’t help when your heart feels like it’s limping behind you. Not even the endless whiteboards or loud vocal booths could drown out the echo of a fight you never meant to start.

You’d pushed him away. You had to. It was stupid to begin with—falling for someone 8 years younger, someone who’d been part of your life for years but only started looking at you like that more recently. Someone who knew exactly how to tear down every wall you put up and then kiss you like he was doing you a favor.

You ended things but you hadn’t expected it to hurt. Not this much. It’s because you weren’t supposed to fall in love with him… but you still did.

So when you sat at your desk three weeks later, scrolling through a schedule you couldn’t focus on, the ache in your chest wasn’t professional. It was personal. Deep. Stupid.

He hadn’t texted since that night. Neither had you. But you’d seen the signs—the extra cigarette breaks, the half-assed verses, the way his smile didn’t quite reach his eyes anymore. You weren’t the only one falling apart quietly.

“You look like shit,” he said by way of greeting. Seunghyun stood by your door, arms crossed, one brow raised.

You didn’t even look up. “You’re sweet.”

“You’re not eating properly,” he added, walking towards you. “You only look like that when you’re living off coffee and grief.”

You laughed softly. “Grief?”

“I know the signs.”

You paused. Then: “I’m just busy.”

Seunghyun snorted. “Bullshit.”

You glared. He glared back, harder.

He sat in front of me and gave me a long look.“You’re never this quiet. What’s going on?”

You shrugged. “Nothing. Just work.”

“Liar,” he said flatly. He stood up, “Come on. You’re eating dinner with me. No arguments.”

“Seunghyun, I’m really not—”

“I already made a reservation. Don’t make me waste good kimchi jjigae over your sad girl era.”

You huffed but didn’t resist. He knew you too well anyway.

⸻

You barely said a word in the car. Seunghyun had the playlist going—some random mix of early BigBang and RnB’s, because nostalgia always worked on you.

But you weren’t biting tonight.

So he filled the silence with light commentary. Your work. His new hair color. The absolute mess in the recording studio thanks to Daesung spilling an entire iced latte on the console.

When you got to the restaurant, he didn’t push right away. He picked a quiet place. One of those overpriced hanwoo restaurants he only went to when he was trying to spoil you or win an argument. You didn’t ask which this was.

The server came by, and you both ordered your usuals. The grill lit up between you with a low hiss, smoke curling upward. You busied yourself with pouring sauces and arranging banchan, like if you looked busy enough, he wouldn’t look at you.

“Noona.” He glanced up. “Didn’t think you’d actually agree to come.”

You rolled your eyes, “Yeah, you dragged me. Remember?”

He grunted. “Exactly. So I figured you won’t make up some excuse and ghost me for another three weeks.”

“Rude.”

He shrugged. “Accurate.”

He ordered your favorite, watched you eat half of it, then leaned forward and said, “So. You gonna tell me why you’ve been walking around like you’re haunted?”

You looked up sharply. “I’m not.”

“You’re literally zoning out mid-conversation, you’ve got dark circles, and don’t think I didn’t notice you skipped the rap showcase last week.”

You avoided his gaze. Seunghyun sighed and sat back, playing with his spoon.

But of course, this was Choi Seunghyun. Your baby brother. Who’d known you since you were fourteen and he was still a kid trying to act tough in your hand-me-down jacket.

“You look like shit,” he said.

“Gee, thanks. You said that already.”

“You do,” he repeated, mouth full of kimchi. “Like you haven’t slept properly in a week.”

You stabbed a piece of radish with unnecessary force. “I’ve been busy.”

“Not that kind of tired.” He chewed. Swallowed. “You look heart-tired.”

You didn’t answer.

“Did something happen?”

Still, nothing.

“Or should I say… someone?”

Your hands stilled.

“You know,” he said after a pause, “Jiyong’s been a wreck too.”

You froze.

“What?”

“He’s been off,” Seunghyun said carefully. “More than usual. Smokes through every break. Snaps at the techs. Keeps rewriting lyrics that don’t need changing. Keeps messing up the same parts. Youngbae asked if he’s getting enough sleep, and you know what he said?”

You looked up, finally.

“He said ‘it doesn’t matter.’” Seunghyun shook his head. “He only talks like that when he’s heartbroken.”

You closed your eyes.

“Noona.”

You swallowed hard.

“I didn’t say anything at first,” he continued. “Thought maybe it was the stress. Comeback nerves or whatever.”

You tried to keep your face blank. “Maybe it is.”

“Maybe.” He paused. “But I’ve seen this before. Back when he got dumped the first time in high school. You remember that? Moping around the dorm like a kicked puppy, smoking until his voice cracked.”

You gave a noncommittal grunt.

“He’s not good at hiding it. And neither are you.”

“I figured something happened when he started sulking and you started staying late. And then when neither of you were at Daesung’s birthday party? Yeah. Pretty obvious.” Seunghyun added.

You exhaled. Long and shaky.

“I didn’t know it was like that,” he said, watching you carefully now. “Didn’t think it could be like that. Not with you.”

“But then I noticed you,” he added. “And I’m not stupid.”

You pushed your bowl away. “Seunghyun…”

He stared at you, quiet for a long beat. “When were you planning to tell me?”

You met his eyes. “I wasn’t.”

There was a pause. Then—he laughed. Just once. A sharp, bitter sound.

“Wow.”

“I didn’t mean for it to happen.”

“Oh, I’m sure it just fell into place,” he said, eyes flashing. “One minute you’re lecturing him about deadlines and the next—what? Making out behind studio B?”

You winced.

“I told him to stay away from you,” Seunghyun muttered.

Your heart stung. “You what?”

“I told him,” he repeated. “Years ago. When we were still rookies. That you were off-limits.”

“That’s not fair,” you whispered.

“He’s my friend,” Seunghyun said tightly. “And you’re my sister. You think I want to be stuck between that?!”

“I never asked you to be.”

“No, you just snuck around behind my back and pretended it wasn’t happening.”

You opened your mouth. Shut it.

Seunghyun looked away, jaw clenched. “I’m not even mad that it happened. I’m mad you didn’t tell me.”

Silence.

You looked at him while sighing, “I was scared.”

“Of what? That I’d be pissed?”

You gave him a look.

“…Okay, yeah. Fair.”

He sighed and rubbed his temples.

“Look,” he said after a minute, voice softer now. “I’m not gonna pretend I’m happy about this. You’re still my older sister and he’s still an idiot.” That drew a weak smile from you.

You stared down at the chopsticks between your hands. Wooden. Splintered slightly at the tips. You hadn’t even noticed.

“You love him,” Seunghyun said simply.

Your eyes welled. You blinked fast. “I—”

“And he loves you. Has for years, probably.” Seunghyun nodded. “Even if he’s a cocky little shit. He lights up like a Christmas tree when you walk into the studio.”

Your throat closed up.

Seunghyun leaned back in his seat. “And yeah. I’m pissed.”

You looked up at him. “I know.”

“I’m still pissed.”

“I know,” you repeated.

“Because you’re my sister,” he said, voice cracking a little, “and I don’t know how to process the fact that the guy I’ve trained with, grown up with, the guy who used to ask me how to get your attention—actually got it.”

Because—hell, Seunghyun, it’s Jiyong. The guy who used to draw dicks on your sketchbook and steal your ice cream.

You laughed weakly. “He asked you that?”

Seunghyun rolled his eyes. “Constantly. He used to say, ‘Hyung, does your noona like guys with good hair or good lyrics?’ Like it mattered.”

You covered your face. “Oh my god.”

“He was obsessed. In a weird, loser way.” He sighed. “Still is.”

“But I get it,” he said. “Sort of. Jiyong’s annoying as hell, but he’s loyal. And when he wants something… he doesn’t give up.”

“No,” you said quietly. “He doesn’t.”

“And you love him.”

Your throat tightened. “It doesn’t matter anymore.”

“The hell it doesn’t.” He stared at you like he was trying to see past all the walls.

“You love him,” he said again. “So why are you both suffering like this?”

You didn’t answer. The truth you didn’t want to hear. The one you’d been trying to bury under work and guilt and coffee and blank stares across studio hallways.

You loved him.

You never stopped.

And maybe you broke something between you, but maybe—just maybe—it wasn’t too late.

Seunghyun reached across the table, nudging your knuckles with his.

“I’m probably even more than pissed,” he said. “But I’m your brother before anything else. If you’re hurting… I’ve got you.”

Tears welled in your eyes.

“You’re not alone, noona,” he murmured. “Even if you’re stupid as hell sometimes.”

You let out a watery laugh. “Thanks, brat.”

We continued to eat in silence when Seunghyun sighed.

“Noona.”

“What?”

“You’ve always been the one taking care of everyone.” He looked you in the eye now. “You deserved someone who gives a shit back.”

You stared at him.

“And if it has to be someone like him,” he added with a sigh, “then… it better be because he makes you happy. Not because he wore you down.”

You exhaled slowly, guilt and gratitude tangling in your chest.

“Thank you,” you whispered.

He shrugged again. “Don’t thank me yet. I’m still gonna make fun of you relentlessly when this goes public.”

You rolled your eyes. “Great.”

“But,” he added, more gently now, “I’m always on your side.”

You smiled, and this time it stuck. And for the first time in weeks, the weight didn’t feel quite so heavy.

That night, Seunghyun crashed on your couch after watching a shitty sci-fi movie and eating half a pint of overpriced gelato you’d been saving. He grumbled about your heating system and yelled when he tripped over your slippers in the dark.

But he also said, as you handed him a blanket:

“For what it’s worth, noona… I get it.”

You blinked at him. “Get what?”

He sighed dramatically, flopping back onto the cushions. “Why you chose him.”

You stared.

“Don’t get me wrong,” he added. “I still want to punch him in the face. But…” He trailed off, eyes soft. “He’s always looked at you like you hung the stars.”

Your chest ached.

You sat down beside him, curling up with your knees to your chest. “I think I looked at him the same way. I just pretended I didn’t.”

Seunghyun nodded.

Then: “If he hurts you again, I’ll break both his kneecaps.”

You smiled. “Thanks.”

He yawned. “Just don’t make me listen to you two having sex. Thin walls.”

You threw a pillow at his face.

—

Seunghyun barely glanced at you as he adjusted the collar of his blazer. “Let’s go.”

You narrowed your eyes, heels clicking behind him. “I’m still mad at you for blackmailing me into this.”

He snorted. “Blackmail? You owe me.”

“For what?”

“For not telling Jiyong you cry after watching cat videos,” he deadpanned.

You shoved his shoulder. “Not that!”

“Oh, you mean for not telling him I knew you two were sneaking around behind my back like horny teenagers in a rom-com?”

You groaned. “Exactly that.”

He smirked, stepping into the elevator. “Then suck it up and be my charming plus one.”

“You’re insufferable.”

“And you love me.”

You rolled your eyes and muttered, “Only brother I have, unfortunately.”

—

“Do you have to look like you’re being dragged to your own funeral?”

Seunghyun threw you a sideways glance from the driver’s seat, his long fingers tapping on the wheel to the beat of whatever playlist he had running through the car speakers. You were slumped in the passenger seat, arms crossed, scowl perfectly in place.

“I said I owed you one. Not my soul.”

He smirked. “Same thing.”

You rolled your eyes and muttered, “Remind me again why I agreed to this?”

“Because I kept my mouth shut about a certain someone sneaking into your apartment at ungodly hours for two months.”

You looked out the window like the city lights might swallow your guilt. “Can you quit that? That was ages ago.”

“Three weeks,” he said, smug. “And you were practically glowing the morning after. Don’t test me.”

You groaned. “Can we not talk about it?”

“Sure,” he said. “Let’s go to a team dinner party with all our friends, including him, pretend nothing ever happened, and not talk about it. That’s totally healthy.”

You glared at him, but he was already pulling into the lot of the restaurant. Private room, of course. Exclusive, expensive, and loud enough that no one would hear you scream into a napkin later.

“I’m just saying,” Seunghyun added as he parked, “this is your mess, noona. Try not to drip it all over my sashimi.”

“You’re lucky I love you,” you said.

“I’m lucky you hate confrontation,” he replied. “Otherwise Jiyong would’ve been missing his teeth by now.”

You elbowed him hard.

The dinner party was already buzzing when you arrived. Private room. Upscale restaurant. Loud laughter. Warm lights. Half the YG staff was there, including familiar dancers, producers, stylists—people who’d known the boys since pre-debut. You felt the nostalgic tug in your chest. It used to be simpler, back when you were just Seunghyun’s older sister and the unofficial “noona” of the group.

Back when Jiyong didn’t look at you like he could unpeel your skin with a glance.

And back before you gave in to that look.

You stuck close to Seunghyun’s side as greetings flew around. He introduced you casually, proudly—like the loyal little brother he was. You smiled politely, gave hugs, laughed when needed.

The private room was warm with familiar laughter and already thick with soju fumes. Daesung was mid-joke. Youngbae was trying to explain some terrible pun. The table burst into laughter as you and Seunghyun stepped in.

“Noona!” Daesung beamed, waving you over like a child seeing a favorite babysitter. “We’ve missed you!”

“More like missed someone who could keep Seunghyun hyung in check,” Youngbae added.

You smiled, bowing slightly and greeting each of them in turn. And then—your breath caught.

Jiyong.

He was across the room, black designer blazer, black slacks, two rings on his fingers and that damn chain around his neck. He was laughing at something Daesung said, head tilted back, the glow of the lights making him look golden.

But he wasn’t alone.

Her.

Sitting beside him, legs crossed, dress tight, hair perfect, her nails tapping against his glass like they belonged there.

You blinked. Swallowed.

“You okay?” Seunghyun murmured beside you.

“Fine,” you said too fast. “Fine. Totally fine.”

His smirk was immediate.

He knew.

You punched his arm. “You’re enjoying this.”

“I’m thriving.”

I groaned.

This is gonna be a long night.

[thecorefrisk]

Um, here’s my suggestion to the DP fans who want to only DP content… why not make your own tag??

I’ll probably sound passive aggressive when saying this but I understand. It’s super frustrating trying to find content for one fandom and then seeing completely different content.

Why not make a ‘dp only’ tag? That way anyone could find any sort of Danny Phantom only content without having to scroll through countless of other works to get to it.

I get it, it’s much more easy to put up a wall than build a bridge but creating an entirely new tag for yourselves can also be a rather constructive choice!

(My only question is… why is this an issue now rather than earlier? Is this something a lot of DP fans have been already thinking or it more so a recent thing??)

—

Edit: I posted something similar in the comments and I have a reblog up for anyone to see but I’ll say it here as well! This post was likely founded in my own hurt!! I personally think it felt entitled for me to say, someone else said it sounded condescending. Those two things don’t exactly contradict each other!!

(But the condescension part might’ve been just my lack of understanding of how my words come across to others due to the autism thing, but y’know, no excuse unless my entire family also happened to die before I wrote this. Which did NOT happen if you’re wondering, I’m just scared they will and that’s like, super different.)

I have had a history of being pushed out of things and spaces in which I should’ve been accepted into (ex: autism spaces, other fandoms, friendships). I was trying to ‘nice’ and also give my own opinion at the same time. (A skewed opinion.) I knew the whole discourse made me feel… bad but I didn’t know where it came from and I just posted this in an impulsive decision.

Not necessarily to go ‘ha! Losers!’ But to put up sort of shield to defend myself. So, I am sorry. For the condescension and for the passive aggressiveness. I already knew that was a problem in my speech but I didn’t realize it was THAT bad.

Uhh, let me review the things I did wrong. (I like lists.)

First off, I disregarded a group of people’s feelings for my own. Second, I decided to ‘bring up a solution’ that was more so a half assed compromise which was likely already someone else’s suggestion as well. Third, I also just so ‘happened to forget’ that the DP tag… WAS your tag. That you should be able to go through it without someone else shoving content from a different fandom in your face in all directions.

I mean, if I want my feelings to be heard, I should be hearing other people’s feelings too. It’s not fair for me to bring up my own opinions, expect them to be taken as seriously as anybody else’s, and then not give that treatment. And also I should probably learn impulse control?? I think I have a grip on it unless I feel hurt. Otherwise I’m fine.

It was probably, to me, that the post I first saw about it made it feel like people were going ‘…get out?’ (The post I saw was one asking for people to exclusively use the DP x DC tag for those kinds of posts. Which, in itself, is actually not a bad idea and would allow for further freedom as people are allowed to be separate but connected to the DP fandom and perhaps even the DC fandom.)

Basically, I was projecting my own past trauma onto this random person who just felt frustrated they had to scroll past what felt like a million posts just to get to the fandom they wanted to see. And the kind of posts they saw, might’ve not been the kind that they wanted to see at all which is even more frustrating. They likely wrote in a moment of frustration and it kind of came off as such in their writing. But that doesn’t mean that my reaction is their fault in the slightest.

It means I had a reaction to something I felt was hurtful. I’ve written this line before but when I sat down and actually thought about it all it felt all the truer. ‘They aren’t trying to give you a bad time, they are having one’. I made it about me— which was not cool of me.

So, again, I am sorry. I hope this comes across as me actually taking accountability for my actions and not another passive aggressive fat amount of text like I fear it will be.

Thank you, though! To the people who were so, so nice in the comments. You weren’t, like, mean to me about this even though I was sounding pretty bratty. Some were a little frustrated but it was in a way that I could understand and your hearts were all in the right place. Because even though this seems very small— a fandom having a space on Tumblr to be able to see their own content— it gives people a place where they can meet people who like the same things and even make friends out of it. And you also expressed your thoughts in a way that I could get! Which was super sweet, thank you so much. :>

Mwah, mwah, love you!! 🫶🏼

[anythinganythingelse]

First tumblr post ever, just to share this bg3 headcanon with no one in particular.

I read a lot of fanfics that characterize Astarion as being unwilling to talk about his past or get too close to the other companions, but when you play the game he’s the character with the most to say about himself and his trauma. He overshares, even.

I think Astarion has no idea how to be normal around people. He’ll tell you all about his trauma like it’s nothing because he’s used to that trauma being shared among everyone he knows. His true vulnerabilities are much harder to put into words anyway.

Astarion hasn’t ever been alone, as far as he can remember. He wasn’t Cazador’s first spawn, so even in the earliest days of his life (as he knows it), there was always someone there who shared his circumstances. He spent 200 years living in a dormitory with six other spawn who were also being tortured. They didn’t all like each other, but that didn’t matter.

Their continued association wasn’t dependent on any kind of social contract. They didn’t need to be nice, they could even be openly cruel, but they weren’t always openly hostile, either. That would be exhausting, and some degree of cooperation is required for six people to share a single bath, after all. They might backstab or torture each other, but after a particularly brutal day they could still take their rest in a dogpile of bodies, just for the comfort of gravity. Moments of kindness or cooperation aren’t more or less meaningful than moments of cruelty. They’re all just raw and naked around each other all the time.

Concepts like forgiveness were irrelevant. No one had the option of storming off or walking away. Nothing they did or said to each other would change the fact that they were the only people they knew—the only people who would ever be around long enough to feel real.

So when Astarion finds himself bound by circumstance to another group of people… that feels normal. What isn’t normal is the way they all hold themselves apart from each other. He needs to be careful about offending them, which is new to him. They’re all so precious, treating every transgression against their sensibilities like a wound. There’s a score being kept. Conflicts require resolutions because hurt feelings create permanent injuries to the relationship if left to fester. Needing to be near the prism means one person might not have the option of walking away, but the group has the option of leaving someone behind.

Until now, the only creatures in Astarion’s world who required such careful handling were either predators (Cazador and whoever he delegated authority to) or prey (the hapless victims being lured back to the palace every night). That makes being touched unexpectedly feel like a threat. These people feel like littermates and enemies and victims all at the same time and it’s confusing.

Astarion is too sharp with his companions, too callous, but he’s also open with them in a way that cultivates closeness. He’s used to being crowded in among other beings so closely that the edges overlap. He’s never had privacy, he’s never had anything that belongs to only him, so it makes him seem too familiar with the others (even if he hisses at anyone who gets too close). He flirts and fights and overshares with them and eventually it helps them all get closer.

This flows into another bit of headcanon that I have—namely the tadpoles and how it puts them all in each other’s heads all the time. There are no private conversations, there are no private moments (except for Gale, whose mind is a fortress). A psychic conversation might require conscious effort but raw emotions flow between them unbidden. Anxiety, anger, desire—they share it all.

How lonely it must be, then, when the tadpoles dissolve and they are left alone with their thoughts again. The silence must be devastating.

Edit: I was still thinking about this so I made a meme about it

[timeslipcamp]

obligatory theory about the kyklos and what i think is happening.

literally every time i finish an episode i go and jot notes down in my lil mental notebook of theories and laugh like yuri in his lab

spoilers through ep 15

so i've seen this idea tossed out but no one really went in depth on why they thought it so i'm going to list off MY reasons why i thought this is what's happening.

fair warning: this is going to be long, i've got about five million thoughts on this and it's only going to get worse as more episodes get released. get comfy and grab a snack

i think mc and the ghouls are trapped in a time loop

it's a trope that when handled well can be really really cool, and with how many moving parts and ghouls there are to distract from what's happening, it's super plausible. the only reason i'm hesitant to say this is 100% what i think it is is because it's still only episode 16 and we know next to nothing about the clash and anything that happened last year. plus the game's only been out for a year, we've barely scratched the surface of the plot.

that being said, we're getting about 3-4 episodes per every couple months, which means by like episode 20-24 we'll be coming up on a year since mc was cursed. maybe. i'm bad at math. (EDIT: someone else did the math and it will probably be closer to 40 that we hit the year mark lmao) is the story going to be over then? i don't think so. i think the following chapters would follow us through the time loop as we finally work to solve it

if i had to guess, this is how i think the general timeline goes: mc, despite the ghouls best efforts and someones sacrificial jump into flames from a balcony, turns into the kyklos. to stop the teachers/school-aligned ghouls from killing her, someone sends her away--and accidentally sends her back in time instead. taiga, however, has been told by mc that if she were to turn, kill her before she hurts anyone. taiga goes back with her to stop her.

crazy concept: the one eyed sleeping beauty murder was the trigger event. the kyklos has one large eye. this part is still muddy given that we literally don't know shit about any of this, but i think it wasn't a one eyed beauty that was killed, i think the one eyed beauty killed someone while those other ghouls happened to be present. we got the five suspects based on them either being in the wrong place at the wrong time or by reputation (a la alan and jiro.) i think this is how zenji died as well, but i have zero basis for that other than vibes.

future!taiga continues to chase the kyklos, runs into his past self and explains (or maybe he's always known, or maybe whatever's going on with his brain makes him able to remember every loop, OR something is actively working against him remembering all of it) past!taiga does something that triggers the clash, and eventually, the kyklos finds her way to mc on the train. the following chapters would then begin to follow mc at the beginning of the loop again

this is literally all me guessing. i'll make an updated post once we finally know more about the clash and the one eyed sleeping beauty murders. and literally everything else smh

another quick note before i forget: i do think it's interesting that everyone who lost a day to the casino anomaly had their memories replaced of a girl in a tower in the woods. rapunzel reference? orrrrrr in early versions of the sleeping beauty tale, she was said to be in a lonesome tower waiting for someone to wake her up. coincidence? probably! ¯\_(ツ)_/¯

anyways

"how did we end up here?"

SUPER compelling that this is one of the opening lines. the whole intro is generally a vague "humans avoiding darkness" spiel, but i do personally think its alluding more to the coming together and working as a team theme than an actual darkness. to me it feels like it's implying (based on the story so far) that working together is the light that can drive away the darkness (her curse)

one of my big things that made me wonder right at the beginning was how it almost immediately dropped the line "if we could do it all again" (paraphrasing). the whole theme about doing it again and would we do it again kinda made me think repetition was going to be a theme in the story, but once i got a few chapters in, i was definitely hurtling towards the time loop theory.

mc starts off talking about how she's sad it's over and we come to see she's talking about a band breaking up, and one by one the group chat members leave until she's left alone with just mina.

now mina itself as a name is an interesting choice. it's a fairly international name with a couple different translations. one translation has it meaning love, one says it's the same word as a mockingbird (a bird that can imitate human sounds) and in japanese, mina is a name meaning lovely/beautiful while min-na is a term sometimes used to mean "all of you", like saying all yall in english. fun play on words there if the time loop theory is correct and the kyklos we see at the beginning is in fact mc (aka all of us)

mina's profile picture is also a red spider lily, commonly known in popular media as the death flower

it's often planted in graveyards to ward off evil spirits and help guide those who have passed to the afterlife. another meaning for the flower is reincarnation: yet another implication of a cycle.

(it's also a popular flower in hanahaki disease fics, which is a fic trope where flowers bloom in the lungs of someone whose love isn't returned, but that's unrelated)

actually now that i'm really staring at that picture, it looks more like a red surprise lily, which is even funnier imo. apparently it's just a sister flower of the spider lily

mina says it must be destiny and that she's been waiting to meet us. spooky. we haven't really seen any other anomalies do anything premeditated like that, they're all mainly reacting to their environment, other than mr long legs i guess. but his felt more like predatory i need to eat intent, not "i'm tracking down this specific person" type of deal. definitely correct me if i'm wrong on that, though. i'm super interested in the "intelligent" anomalies vs the reactive ones. i'll make a post on that later

i've seen a couple other posts talk about how kyklos means circle in greek (aka another point in the time loop basket) but it's also interesting to note that kyklos comes from kuklos, whose root word kukló was often used to describe something that encircles. broke out a couple of my old humanities research packets and found this:

"a group of people...positioned around a central point"

whether that's intentional or not, i do think it is interesting that the whole time loop could be centered on this group of people that are positioned around a central point: the kyklos and mc. everything always revolving around the main character and the curse that started it all.

almost immediately after, mc is swiftly taken to darkwick and told that she'll die in a year (which we later find out is a lie) and sent off to live her life

taiga is the most suspicious person in the WORLD to me. fuck the traitor shit i wanna know what taiga knows

our brief introduction of him (and a scene on campus) tries to convince us he's insane

fairly compelling

but it's in the small cut scenes we see with the other ghouls that really get me.

TAIGA knows something!! the second one really gets me, especially in the context of a time loop, and even more so if taiga is aware of the loop. the second screenshot reads to me as either he's 1. about to make a deal with either haru or whatever he's summoning with a coin, or 2. he's like "fuck it, i've seen this loop a hundred times. there's ways where they survive and there's ways where they die. pick one, we'll try it again and see if it changes anything this time."

i don't think he's actually lost his mind. i think he's putting up an act to throw someone off his scent (namely the traitor and whoever the traitor is working with.) i also get the feeling, especially after rereading the auction chapter, that there's something actively working against taiga having all of his memories. it might be the pact he made with his demon, but i almost wonder if it's someone else's stigma or ability preventing it. we don't know what all the ghouls can do yet, or even the teachers.

maybe it's the time loop itself that's keeping taiga from keeping all the timelines straight. maybe he's done this so many times he doesn't know what's real anymore. additionally, if you pick him in the beginning, this is what he says:

once again, i'm getting the vibes that he's trying to figure out what could possibly be different about this loop that might finally break us out of it.

anyways, those are my basic notes on why i think this is gonna center around a time loop. given that haku's flute can transport and subaru's stigma has to do with memories and we dont even know half of the stigmas yet, i think it's entirely possible. but we'll see!

feel free to comment your own thoughts on what's happening :) ask box and dms are always open

[octahyde]

Groomer in the TWST Fandom

The post in question is going around again, and as someone who was groomed in online fandoms in high school it makes me absolutely fucking livid that they got away with it the first time.

(Please note that I got Doom’s consent before posting this because it indirectly involves them.)

@_snooboots on twitter has publicly groomed minors.

Sno wrote a thread calling out another user, which I am seeing go around again. The thread has plenty of issues (in certain areas they can have legal action taken against them for cyberstalking, speaking from direct experience), but there’s one in particular that sticks out to me.

The most pressing and disturbing part, however, is that they tagged children in uncensored pornographic images.

(as you can see based on the first screenshot, the censorship in the second and third images were added by me.)

After posting several screenshots, many of which had sexual images along with this literal pornography, Sno ends it with tagging several minors (and one adult):

Note that Sno is 19. Also note that the youngest user tagged is fourteen years old, a literal middle schooler.

Though 16 and 19 may not seem like a major age difference where grooming can take place (in many contexts it isn’t!), there are still cases where it can be. Case in point: I started being groomed by a 19 year old online when I was 16, and it lead to horrible, horrible things happening to me once I turned 18.

The amount of similarities this thread has to my own experiences with being groomed at that age is, point blank, extremely fucking uncomfortable. Though mine was in a slightly different context (it being sent as a “joke”), it was still being told Look How Bad This Porn is. Likewise, if Sno really cared, they would have taken 10 seconds to censor the screenshots before posting, like how I did.

Again, it’s important to note: these images were originally posted on a private account where minors could not access them. They were only made publicly and exposed to children when Sno reposted them.

When called out for sending porn to real life minors, they chose to double down:

Apparently tagging children in a twitter thread with graphic, uncensored pornography because “they asked” is “the right thing”. (Note also that they admit they had also exposed these kids to this prior on a locked account, which is very Normal behavior and opens up the possibility that this isn’t the first time they’ve “called someone out” doing this, but that’s just speculation.)

And again, I would like to reiterate, which Sno themself corroborates in these screenshots: these images were originally posted on a locked account, where only adults Doom knew were allowed in. Sno was the one who posted these images publicly.

I’ve been angry and hurt by this since this thread was first posted. Doom deliberately kept these images away from children. In contrast, this person sent the images to children whom would never see them otherwise to “call them out”. Sno absolutely should not or have gotten away with this.

(Also, as a footnote: do not use this post to start some proshipper vs anti tribalism bullshit. While I’m not that anon, I do absolutely hate both sides equally and both do this kind of thing on a regular basis.)

(EDIT: not that it means much at this point but it was pointed out that I was kinda uhhhh a huge hypocrite with the original screenshot of the thread! That’s been censored now too.)

[unveiledelle]

Ever wondered what Claggor's life must have been like before he met his found family? Well here are my headcanons.

Claggor's Past

Contains: Theories about his early life, how I think he developed some of his traits in canon, and how I came up with some of my previous headcanons. Disclaimer: Basically just rambling. The following are all just speculations and may be biased to my own perspective. I am by no means a psychology major. So if I say something incorrect, please do not hesitate to correct me. Thank you :>

Early life

‧₊˚ ⋅ ❥ Grew up in Zaun in a big family. May have been a middle child too, and is somewhere in the lower-middle age range among his siblings.

‧₊˚ ⋅ ❥ Parents worked in the mines, but died due to one catastrophic accident that caused the people from the undercity to protest against Piltover, which unfortunately lead to the bridge fight.

‧₊˚ ⋅ ❥ Older siblings were caught in the crossfire and died leading Claggor and his younger siblings to fend for themselves. Unfortunately, his younger siblings died from lung problems and malnutrition.

‧₊˚ ⋅ ❥ Became a "trash picker" (I'm not really sure what the correct english term for it, but there's this thing in 3rd world countries where poor people living in the slums scavenge through dumpsters to look for cool finds that they can later on sell or trade).

‧₊˚ ⋅ ❥ Vander found him first before Mylo. They met when Claggor tried to sell the scraps (which ofc doesn't cost much) he found to Benzo. Vander reminded Claggor of his younger self and was immediately fond of him, so he adopted him.

Now some rambling, because for some reason I couldn't get my thoughts straight to form a well-rounded headcanon list lmao

‧₊˚ ⋅ ❥ I think one of the reasons why Claggor is the type of person that is afraid to stand his ground or speak his thoughts loudly is because he's used to being ignored by the people around him (not necessarily in a mean-spirited way, but simply because they tend to be stubborn). And in my opinion, Claggor is naturally pessimistic, which can be an annoying trait his old family think he has.

‧₊˚ ⋅ ❥ Whenever he tries to speak up, people either disregard him or ignore him completely. And since he came from a big family, I imagine his voice was often drowned out by other family members. I also think this is part of why he grew so close to Mylo, because he sees right through him and relates to him. Being someone who suffered the middle child syndrome himself, he empathizes with Mylo's desire to be seen as important within their found family.

‧₊˚ ⋅ ❥ Claggor may also be the kind of middle child that was ignored all the time but was expected to be responsible (may have older siblings that aren't as present so he chooses to cover their responsibilities in the house instead).

‧₊˚ ⋅ ❥ I think Claggor wears his goggles because he has a fear of being perceived. It's a way for him to hide his face. I don't think he has any issues with his eyesight since we don't see him wearing them when he's reading. (edit: oops i was wrong lol) From my observation, in all his scenes from S1Act1, he only ever removes his goggles when he's alone with his siblings in a private place, or when he's with people he's comfortable with.

‧₊˚ ⋅ ❥ He may also be insecure about his size because he's a big guy for his age. I like to think that he puts up his hoodie (yes he also has a hoodie like Vi) as a way to make himself feel smaller. Make it hurt a little more when you think about my headcanon about his younger siblings dying because of malnutrition (additional: Claggor is malnourished too. Malnutrition is not exclusive to thin people only).

End.

That is all for now. I'll post headcanons about Mylo's past too as soon as they're long enough to be in a proper post. I just need to wait for the last fragments of prophecy to reveal themselves in my mind lol

[justsomeoneintoomanyfandoms]

I Want You Back - Obscuary Edition

This was originally requested by Anon who asked: "Could you make headcanons where you have an established relationship with the Tokyo Debunker characters but your ex suddenly tries to win you back?" The links to the other houses are below.

Fandom: Tokyo Debunker

Characters: Edward Hart, Rui Mizuki, Lyca Colt x gn! Reader (separate)

Frostheim | Vagastrom | Jabberwock | Sinostra | Hotarubi | Obscuary | Mortkranken

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You're happily in a relationship with the Tokyo Debunker characters. So how will they react when your ex suddenly tries to win you back?

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Ed has been alive for a large and undisclosed amount of years. He has infinitely more experience in every situation that any mortal human could ever hope for. And your ex thinks you’d rather be with them?

He’s probably going to suggest you go and have a drink at Rui’s bar before confronting your ex alone. And boy, does your ex regret saying anything.

Ed can be scary when he wants and it’s pretty safe to say your ex won’t be bothering you anymore.

Once he reunites with you though, Ed’s going to be seeking some comfort. The unfamiliar feeling of self-doubt has started to creep in and he’s starting to wonder whether he’s really the person you want to spend your time with.

Give him some reassurance and he’ll be back to normal in no time. He will be a bit more subtly protective of you than normal for a while though, just to be sure.

The king of making everyone think he’s doing okay when actually he’s falling to pieces inside. He’s probably going to let you deal with your ex unless you look like you need help since he trusts you to make your own decisions.

If you do ask for help, he’s going to politely but confidently tell your ex that you’re very happy with him and that you’re no longer interested in a relationship with them.

But inside, he’s shaken. He doesn't think he deserves you and is terrified of hurting you with his curse. On one hand, he thinks you should be with someone - anyone - else.

But on the other hand, he can’t stand the thought of being alone again. He loves you dearly and wants to be around you all the time, even if he can’t show you the affection he wants to.

You’re going to have a very emotional Rui on your hands for a while. Just give him some reassurance and comfort and he’ll slowly return to normal.

Lyca doesn’t really get what’s going on at first. Relationships are a very new concept to him and the notion that someone you used to date (but don’t anymore) wants to get back together with you takes him a while to wrap his head around.

As soon as he realises your ex is trying to steal you away from him though, he’s going into full protective mode.

There’s no situation where your ex is getting out of this unscathed, unfortunately. Lyca’s barking, growling, and leaping at your ex to defend your honour.

Once the confrontation has died down, you’re going to have a very clingy Lyca on your hands. He needs some reassurance after that; his self-confidence isn’t high enough yet to be sure that you’re actually happy with him.

Much like Rui, give him some comfort and reassurance and he’ll be back to normal pretty quickly. He trusts you wholeheartedly so if you tell him you’re happy, he’ll believe you.

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